A review of Information Activism: A Queer History of Lesbian Media Technologies, Cait McKinney, Duke University Press, 2020.
Lesbian feminists invented the Internet, and they did it without the help of a computer. This is the surprising finding that comes out of the book Information Activism: A Queer History of Lesbian Media Technologies, published by Duke University Press in 2020. As the author Cait McKinney immediately makes it clear, the Internet that lesbians built was not composed of URL, HTML, and IP servers: it was an assemblage of print newsletters, paper index cards, telephone hotlines, paper-based community archives, and early digital technologies such as electronic mailing lists and computer databases. What made these early media technologies “lesbian” is that they formed the information infrastructure of a social movement that Cait McKinney describes as “information activism” and that was oriented toward the needs and aspirations of lesbian women in North America during the 1980s and 1990s. And what makes Cait McKinney’s book a “queer history” is that she brings feminism and queer studies to bear on a media history of US lesbian-feminist information activism based on archival research, oral interviews, and participant observation through volunteering in the Lesbian Herstory Archives in New York. Information activism took many forms: sorting index cards, putting mailing labels on newsletters, answering the telephone every time it rings, converting old archives into digital format… All these activities may not sound glamorous, but they were part of the everyday politics of “being lesbian” and “doing feminism.”
The Internet that women built
Recently the role of women in the development of information technology and the Internet has attracted a great deal of attention. Thanks in part to the effort of popular author Walter Isaacson, the names of Ada Lovelace, Grace Hopper, Jean Jennings, and Jennifer Doudna have become more familiar to modern readers, and their enduring legacy may have contributed to attract more young women into computer science. Even so, computing remains a heavily male-dominated field, and the industry’s openness to “the crazy ones, the misfits, the rebels, the troublemakers, the round pegs in the square holes” (to quote from a famous Apple commercial) is mostly limited to the masculine part of mankind. It therefore bears reminding that the Internet revolution was brought forth by information activists of all stripes and colors, not just white cis males from California. The “misfits” lauded by Steve Jobs may also have included dykes, stone butches, high femmes, riot grrrls, and lavender women as well as trans and nonbinary subjects. Besides, as feminist critique has pointed out, the concept of the “Internet revolution” or the “information superhighway” are masculinist notions that need to be reexamined. There is a gender bias in popular accounts of technology development and innovation that tends to exclude the contribution of certain agents, especially queer subjects and women of color. Technologies are gendered, and they also exhibit heteronormative and white biases. To fix this problem, much more is needed than writing more inclusive histories of innovation and exposing occupational sexism in the technology industry.
The lesbian volunteers whose activities are chronicled in Information Activism did not really invent the Internet. They did something much more purposeful: they set out to create a world bearable and a life worth living for lesbian women in North America. They did this work within conditions of exclusion from access to reliable information about lesbian life and from the margins of social structures and even mainstream feminism. Confronted with discrimination, isolation, and invisibility, they decided to build an information infrastructure of their own, one connection at a time. Creating alternative communication channels responded to conditions in which many women lacked access to other lesbians and were desperate to find connection. Sometimes, the sole purpose of maintaining this information infrastructure was to show lesbian women that they were not alone. There was another person to talk to at the other end of the help line at the New York Lesbian Switchboard ; other researchers subscribing to the newsletter Matrices were doing stuff in a field marginalized within academic studies ; documents stored at the Lesbian Herstory Archives in New York City bore the testimony of queer lives whose memorialization was a source of inspiration for modern generations. In some cases, just knowing the information was “out there” was enough to go on living with a renewed purpose. In other instances, women engaged in long “rap sessions” discussing feminist politics over the phone, started collaborative research projects that led to the emergence of a full-fledge discipline of queer studies, or found companionship and accomplishment in their volunteering projects. Information makes promises and fulfills aspirations that are much greater than “finding things out.”
A Chatroom of One’s Own
Networks have been critical to the construction of feminist histories. Cait McKinney examines several cases of networked communication initiatives that predate the emergence of online media: the publication of the newsletter Matrices designed for sharing information and resources with anyone doing research related to lesbian feminism; the New York Lesbian Switchboard connecting callers to a source of information and advice; the Lesbian Herstory Archives’ collection of print documents and audio tapes; the patient collection of indexes and bibliographies that made lesbian feminist essays and periodicals searchable and actionable. The technologies used in these pre-digital enterprises now seem antique: typewriters, photocopiers, landline telephones, letter mail, stacks of papers, cardboards, index cards, and face-to-face interactions. But the results were far-reaching and futuristic. They laid the ground on which a lesbian-feminist movement could expand and self-organize. Information and communication networks allowed dispersed researchers to connect with each other, share information, and do lesbian research within unsupportive and sometimes openly hostile research environments. Women living in rural areas or isolated places were encouraged to become active nodes of the network by taking pictures, gathering newspaper clips, and audio-recording interviews to document events taking place in their geographic area. The Matrices newsletter facilitated historical research through the creation of a supportive information infrastructure ; it also allowed for the nationwide expansion of a social movement originally concentrated in New York; and it convinced dispersed readers that lesbian lives mattered and were worth documenting. Key initiatives grew out of the network, such as the volume Black Lesbians: An Annotated Bibliography compiled by JR Roberts to counter the invisibility of women of color in mainstream lesbian feminism. In the 1990s, many print newsletters lost relevance a web browsing developed and academic listservs became key networks for sharing information. Matrices stopped publishing in 1996, replaced ostensibly by commercial enterprises such as Google, Amazon, and digital publishing tools. But online communication does not present as much of a turning point as a continuation of networked modes of organization for feminist social movements.
Another example of continuity between analog and digital modes of communication is the lesbian telephone hotline staffed by volunteers in New York City that answered to every call with a listening ear and a range of helpful tips and advice. Like newsletters, telephone hotlines connected lesbians at a distance using information. For the historian, they are harder to document: volunteers were anonymous and cannot be traced back, and all that remains of the long nights spent answering the phone are the call logs recording every conversations with a few notes and doodles scribbled in the margin. The logs suggest that many callers expressed despair, loneliness, or confusion; but others called for help finding something fun to do that night, for precise information about support groups or community resources, or just to talk and “rap” about gender issues. Even before the appearance of mailing lists and online forums, the need to have a chatroom of one’s own was clearly felt and answered. McKinney also uses the log archives as entries to thinking about feminist research methods, multimedia practices, care provision, and affective labor involved in lesbian telephone hotlines. She reminds readers that feminist activism involved less acknowledged dynamics such as boredom, repetition, isolation, and burnout. What makes a telephone hotline “lesbian feminist” is the self-definition and principles under which the switchboard operated. Volunteers were recruited from within the lesbian community and bisexual women were tacitly kept out, while the policy toward trans women and gender nonconforming persons was left undefined, although their needs were also addressed on an ad hoc basis. These remarks remind us that terminology, such as the moniker “gay and lesbian” as opposed to the more contemporary “LGBTQI+”, are historical constructions that cast aside or rigidify some categories as much as they include or deconstruct others.
A feminist mode of network thinking
Network thinking has been a feature of feminist activism and knowledge production since before the consumer Internet. “Improving (lesbian) lives with information” could be the motto of a behemoth social media company catering to a niche market; it was always the principle under which lesbian activists operated. The feminist movement produced original ideas about communication, access to information, capacity building, and the power of alternative structures for organizing people and ideas. Lesbian feminists also offered pre-digital feminist critiques of networks as egalitarian ideals that can conceal functional hierarchies and threaten the privacy of participants. Computer networks were dreamt and imagined before they were invented and built. The librarians and volunteers who collected the Lesbian Periodicals Index were imagining computer databases and electronic indexing while shuffling paper cards into shoeboxes ; the Lesbian Herstory Archives’ project leaders were figuring putting all their resources online before they had the equipment and manpower to convert documents into digital format. They were also early adopters of information technology, manifesting a can-do attitude and a hands-on sensibility familiar to feminist activism—and more generally to “women’s work.” McKinnon characterizes as “capable amateurism” a fearless approach to learning and implementing new media technologies; a gendered belief in the capacity of amateurs to work hard and acquire new skills; and a willingness to experiment, improvize, and figure things out on the fly. Lesbian feminism is also informed by values of non-hierarchy, direct participation by members, and an investment in decentralized processes.
Today these values are reflected in many internet communities. A good-enough approach (“rough consensus”), a culture of sharing (“copyleft”), and collectively organized work (“open source”) as well as political militancy (“Anonymous”) characterize segments of the computer industry as much as they are part of the lesbian-feminist heritage. One may even see in the Slow Web movement echoes of the politics of nonadoption and digital hesitancy that was developed by some activist groups surveyed by the author. Beyond lesbian history, these activists have much to teach all of us about why, when, and for whom information comes to matter. The lesbian feminist imagination allows us to envisage a world brought together by connection, care, and “sisterhood” that earlier feminist networks originally articulated and that worldwide Internet connectivity now makes potentially real. A lesbian-feminist approach also reminds us that networks make equalitarian promises that conceal the power structures, protocols, and control mechanisms they actually exert. Computer databases and search engines are not neutral; they determine what is thinkable and sayable through filtering access to information and indexing resources into categories and keywords. These are deeply political choices, and the way decision-making processes and governance bodies are structured matters a great deal. If we want to keep a free and open Internet and uphold the principle of net neutrality, perhaps we should learn from a history of information networks written through older forms of feminist print culture.
Lesbianism is so twentieth century
But does the lesbian past still talk to our queer age? As a self-described “masculine, nonbinary person,” Cait McKinney is ambivalent about the category of lesbianism. She originally assumed that “lesbian” as a specific term of self-identification was historically dated and situated in a period of late twentieth-century militancy, and she was surprised to learn that the term was still popular among a younger generation of queer-identified activists. Young volunteers at the Lesbian Herstory Archives articulate deep attachment to lesbian history and subcultures, and the snippets of information and pictures that the center posts on Instagram are instantly popular. Some business ventures exploit the revival in lesbian-feminist militancy heritage, selling T-shirts, collectable items, and other paraphernalia bearing slogans and pictures from the seventies and eighties. McKinney also thinks lesbianism, while providing a big tent for women with nonconforming gender identities, also had exclusionary effects as many lesbian-feminists were historically hostile to trans women and indifferent to women of color. As a matter of fact, lesbianism meant much more than women having sex with women. Likewise, the erotic exceeds what is commonly understood as sensuous, sexually appealing, and emotionally gratifying acts. Eroticism can be described as a communication practice, and information activism is definitely part of it. Reading archives against the grain (or along the archival grain, as Laura Stoller invites us to do) also refers to the grain of one’s skin, and the archival touch implies an embodied experience laden with sensory perceptions and affects. Libriarianship and archivism are professions that have been historically attractive to women, including persons attracted to same-sex relations, and they have often served as erotic projections of male—and sometimes female—desire. There is something queer about manipulating acid-free paper, and Information Activism consciously addresses how librarians and archivists cope with the affective and intimate impacts of accumulated print media.
At the turn of the twenty-first century, China became identified as the world’s factory and India as the world’s call center. Like China, India attracted the attention of journalists and pundits who heralded a new age of globalization and documented the rise of the world’s two emerging giants. Foremost among them, Thomas Friedman wrote several New York Times columns about call centers in Bangalore and devoted nearly half a book, The World is Flat, to reviewing personal conversations he had with Indian entrepreneurs working in the IT sector. He argued that outsourcing service jobs to Bangalore was, in the end, good for America—what goes around comes around in the form of American machine exports, service contracts, software licenses, and more US jobs. He further expanded his optimistic view to conjecture that two countries at both ends of a call center will never fight a war against each other. An intellectual tradition going back to Montesquieu posits that “sweet commerce” tends to civilize people, making them less likely to resort to violent or irrational behavior. According to this view, economic relations between states act as a powerful deterrent to military conflict. As during the Cold War, telecom lines can be used as a tool of conflict prevention: with the difference that the “hot line,” which used to connect the Kremlin to the White House, has been replaced by the “help line” which connects everyone in America to a call center in the developing world. The benefits of openness therefore extend to peace as well as prosperity. In a flat world, nations that open themselves up to the world prosper, while those that close their borders and turn inward fall behind. 
Susan M. Squier believes drawings, cartoons, and comic strips should play a role in science and in medicine. Not only in the waiting room of the medical doctor or during the pauses scientists take from work, but straight into the curriculum of science students and in the prescriptions given to ailing patients. She even has a word for it: graphic medicine, or the application of the cartoonist’s art to problems of health and disease. Her point is not only that laughing or smiling while reading a comic book may have beneficial effects on the patient’s morale and health. Works of graphic medicine can enable greater understanding of medical procedures, and can even generate new research questions and clinical approaches. Cartoons can help treat cancer; they might even contribute to cancer research. Pretending otherwise is to adhere to a reductionist view of science that excludes some people, especially women and the artistically inclined, from the laboratory. In order to make science more inclusive, scientists should espouse “explanatory pluralism” and remain open to nonverbal forms of communication, including drawings and pictures. Comics and cartoons are a legitimate source of knowledge production and information sharing, allowing for an embodied and personal experience to be made social. They are providing new ways to look at things, enabling new modes of intervention, and putting research content in visual form. In comics, body posture and gesture occupy a position of primacy over text, and graphic medicine therefore facilitates an encounter with the whole patient instead of focusing on abstract parameters such as illness or diagnosis. Studies are already suggesting that medical students taught to make their own comics become more empathetic caregivers as doctors. Health-care workers, patients, family members, and caregivers should be encouraged to create their own comics and to circulate them as a form of people-centered mode of knowledge creation.
This essay stands at the intersection of black studies, queer theory, and literary criticism and art critique. Its title, None Like Us, is taken from a sentence in David Walker’s Appeal to the Coloured Citizens of the World, arguably the most radical of all anti-slavery documents written in the nineteenth century. The quotation, put on the book’s opening page, describes the wretched condition of coloured people in the United States as observed by the author. It ends with a prayer to God that “none like us ever may live again until time shall be no more.” Who is the “us” that the epigraph dooms to self-extinction and oblivion? Is there a collective subject when humans were treated as objects and disposed of as pieces of property? Can one write the history of people who did not exist, or whose existence is forever predicated on a negative relation to history? How does that “none like us” leave open the possibility for an “I,” the first singular person of the art critic, the historian, the queer subject? As Stephen Best writes, “None Like Us begins in the recognition that there is something impossible about blackness, that to be black is also to participate, of necessity, in a collective undoing.” Whatever blackness or black culture is, it cannot be indexed to a “we.” The condition of being black is rooted in a sense of unbelonging: “forms of negative sociability such as alienation, withdrawal, loneliness, broken intimacy, impossible connection, and failed affinity, situations of being unfit that it has been the great insight of queer theorists to recognize as a condition for living.”
When I heard Lisa Messeri had written an ethnography about space research, my first reaction was: what’s an anthropologist like her doing in a place like this? How can one study outer space with the tools and methods of social science? What is the distinct contribution of the anthropologist in a field dominated by rocket scientists and big bang theoreticians? What can the cosmos teach us about ourselves that is not grounded in hard science and space observatory data? To be sure, there is no anthropos to study in outer space, and other worlds are beyond the grasp of the ethnographer. The sociology of other planets remains a big question mark. So far, you cannot make participatory observation in space stations or conduct fieldwork on Mars. We may hire anthropologists, linguists, semioticians, and indeed all the help we can get when we encounter extraterrestrial civilizations and extraplanetary forms of life; but so far these close encounters of the third type remain the stuff of science-fiction novels and blockbuster movies. But on second thought, an anthropologist in outer space is not completely out of place. Anthropologists have always accompanied explorers and discoverers to the frontiers of human knowledge. They helped us understand alien cultures and foreign civilizations to make them less distant, and drew lessons from their immersion into other worlds for our own society. Anthropologists make the strange and the alien look familiar, and the “view from afar” that they advocate also makes our own planet look alien and unfamiliar. They also help us make sense of science’s results and methods, and have been a trusted if somewhat critical companion of scientific research and laboratory life. Science and technology studies (STS in the jargon) have taught us that natural scientists—contrary to a common prejudice—are never simply depicting or describing reality out there “just as it is”: their research is always characterized by a specific style and colored by the “scientific imagination.”
In 1990, Youssou N’Dour, Senegal’s most famous musician, released an album titled Set. The main song had the following line: Set, set oy. Ni set, set ci sa xel lo, ni set ci sa jëff oy… I had no idea what it meant, but in her book Garbage Citizenship, Rosalind Fredericks provides translation and context: Cleanliness, oh cleanliness. Be clean, pure in your spirit, clean in your acts… The injunction to be clean and to make clean (set setal in wolof), repeated in the song’s chorus, echoes the rallying cry of a grassroot movement in which young men and women set out to clean the city of Dakar from its accumulating garbage, substituting a failing urban waste infrastructure and denouncing the corruption of a polluted political sphere. Labelled as an exemplary case of participatory citizenship and youth mobilization, the movement was captured by political clientelism and made to serve the neoliberal objectives of labor force flexibility and public sector cutbacks. At the height of the movement in 1989, Dakar’s mayor made a shrewd political calculus to recruit youth activists into a citywide participatory trash-collection system. Their incorporation into the trash sector was facilitated by a discourse of responsibility through active participation in the cleanliness of the city. They became the backbone of the municipal waste management system and remain included in the sector’s labor force to this day. The history of the Set/Setal movement is only one of the case studies that Rosalind Fredericks develops in her book. The author finds the same activists who spontaneously took to the streets to clean up Dakar in 1988-89 having moved into low-pay positions as trash workers in a reorganized infrastructure that used derelict garbage trucks and often delayed payment of salaries. Together with their labor union leaders, they staged another kind of public protest in 2005-07: the garbage strike, supported by Dakar inhabitants who brought their household dumpings to the main arteries of the capital and piled them for all politicians to see. Other cases studied by the author include a NGO-led, community-based trash collection project in a peripheral neighborhood mobilizing voluntary women’s labor and horse-drawn carts, and the functioning of a trash workers’ union movement affirming the dignity of labor through discourses of Islamic piety.
In Brazil, women claim the right to be beautiful. When nature and the passing of time don’t help, beauty can be achieved at the end of a scalpel. Plastic surgery or plástica is not only a status good or the preserve of socialites and celebrities: according to Ivo Pitanguy, the most famous Brazilian plastic surgeon and a celebrity himself, “The poor have the right to be beautiful too.” And they are banking on that right. Rio and São Paulo have some of the densest concentrations of plastic surgeons in the world, and financing plans have made plástica accessible to the lower middle class and even to favela residents. While in the United States, people may hide that they have had plastic surgery like it’s something shameful, in Brazil they flaunt it. The attitude is that having work done shows you care about yourself—it’s a status symbol as well as a statement of self-esteem. Cosmetic surgery’s popularity in Brazil raises a number of interesting questions. How did plastic surgery, a practice often associated with body hatred and alienation, take root in a country known for its glorious embrace of sensuality and pleasure? Is beauty a right which, like education or health care, should be realized with the help of public institutions and fiscal subsidies? Does beauty reinforce social hierarchies, or is attractiveness a “great equalizer” that neutralizes or attenuates the effects of class and gender? Does plástica operate on the body or on the mind, and is it a legitimate medical act or a frivolous and narcissistic pursuit? Does beauty work alienate women or is it a way to bring them into the public sphere?
“Property is theft !” declared Pierre-Joseph Proudhon, denouncing the inanity of social institutions undergirding bourgeois society. He was criticized by Karl Marx, who judged the formula self-refuting, and by Marx Stirner, who wrote: “Is the concept ‘theft’ at all possible unless one allows validity to the concept ‘property’? How can one steal if property is not already extant?” Indigenous people face the same set of objections when they claim ownership of the land that has been stolen from them. Their traditional culture and enduring values often emphasize a special connection to land and place. They are the “children of the soil,” “sprung from the land itself” as the word “autochthonous” indicates in its Greek etymology. They can legitimately claim the right of first occupancy and document their collective memory of having been there first. The dispossession of their ancestral lands occurred under conditions that would today be judged unlawful or illegitimate, and that was condemned as such at the time it occurred. But on the other hand, the emphasis on possession and ownership contradicts the values of shared responsibility, stewardship, and common property that many Indigenous people, indeed many persons, associate with land and natural assets. How can one argue that the earth is not to be thought of as property at all, and that it has been stolen from its rightful owners? What does it mean, then, to be dispossessed of something that you never really “had” in the first place, and to reclaim something that was never really “yours” to begin with? Can we make the legitimate claims of Indigenous people compatible with political visions that do not advocate property and ownership at their point of departure?
Anthropology in America at the turn of the twentieth century presents us with a double paradox. Cultural anthropologists wanted to protect Indian traditions from the violent onslaught of settler colonialism, and yet prominent voices among Indian Americans accused them of complicity with the erasure of their beliefs and cultural practices. They thought the culture that African Americans inherited from exile and slavery was not worthy of preservation and should dissolve itself into the American mainstream, and yet African American intellectuals praised them for the recognition of cultural difference that their discipline allowed. As Lee Baker puts it, “African American intellectuals consistently appropriated anthropology to authenticate their culture, while Native American intellectuals consistently rejected anthropology to protect their culture.” What made cultural assimilation the preferred choice in one case, and cultural preservation the best option in the second? How did the twin concepts of race and culture shape the development of anthropology as an academic discipline? In Anthropology and the Racial Politics of Culture, Lee Baker introduces a distinction between in-the-way people, the so-called “Negroes” as black persons were designated and self-identified at the time, and out-of-the-way people, the Native Americans or “Indians” who were relegated to the margins of American society.
Paris in the Dark made me remember going to the movies in Paris as a child and a teenager. Of course, I did not experience firsthand the period covered by the book, from the 1930s to around 1950. My formative years took place in the late 1970s and in the 1980s, and a lot of change took place between the period described in the book and the times I remember from my childhood. But Paris will always be Paris, and some aspects of the cinema culture that Eric Smoodin describes did sound familiar. The same time distance lies between 1980 and today and between 1980 and the 1930-1950 period, in the interval between the disappearance of silent movies and the beginning of color films. Maybe my childhood years were even closer from the era of black-and-white movies than they are from my present self. Time has been running faster lately: we now have the Internet and Netflix, while I am speaking of a period before DVDs and VHS. Time did not stand still between 1940 and 1980, but there was more continuity between these two dates for French moviegoers and cinema aficionados than between 1980 and now. Also I tend to look as past history from the same perspective that Eric Smoodin describes in his introduction and concluding chapter. He, too, spent time in Paris between 1980 and 1981, as a graduate student who went to the movies as often as he could. And he now looks at the 1930s and 1940s with eyeglasses colored by this youthful experience. We broadly belong to the same generation. And we both feel nostalgic for a time when “going to the movies” was something more than spending an evening out: it was a lived experience that shaped your identity and culture.
The Duke Reader 