A review of Producing Bollywood: Inside the Contemporary Hindi Film Industry, Tejaswini Ganti, Duke University Press, 2012.
A review of From Russia with Code: Programming Migrations in Post-Soviet Times, Mario Biagioli and Vincent Antonin Lépinay eds., Duke University Press, 2019.
A review of Indifference. On the Praxis of Interspecies Being, Naisargi N. Davé, Duke University Press, 2023.
A review of Violence of Democracy: Interparty Conflict in South India, Ruchi Chaturvedi, Duke University Press, 2023.
A review of Hailing the State: Indian Democracy between Elections, Lisa Mitchell, Duke University Press, 2023.
A review of Nonhuman Witnessing: War, Data, and Ecology after the End of the World, Michael Richardson, Duke University Press, 2024.
A review of Celibacies: American Modernism and Sexual Life, Benjamin Kahan, Duke University Press, 2013.
A review of Dying Planet: Mars in Science and the Imagination, Robert Markley, Duke University Press, 2005.
A review of Chosen Peoples: Christianity and Political Imagination in South Sudan, Christopher Tounsel, Duke University Press, 2021.
A review of Why We Can’t Have Nice Things: Social Media’s Influence on Fashion, Ethics, and Property, Minh-Ha T. Pham, Duke University Press, 2022.
A review of Designs for an Anthropology of the Contemporary, Paul Rabinow and George E. Marcus with James D. Faubion and Tobias Rees, Duke University Press, 2008.
A review of Racist Love: Asian Abstraction and the Pleasures of Fantasy, Leslie Bow, Duke University Press, 2022.
A review of Warring Visions: Photography and Vietnam, Thy Phu, Duke University Press, 2022.
A review of Ruling Oneself Out: A Theory of Collective Abdications, Ivan Ermakoff, Duke University Press, 2008.
A review of The Flash of Capital: Film and Geopolitics in Japan, Eric Cazdyn, Duke University Press, 2002.
A review of Policing Protest: The Post-Democratic State and the Figure of Black Insurrection, Paul A. Passavant, Duke University Press, 2021.
A review of Virtual Migration: The Programming of Globalization, A. Aneesh, Duke University Press, 2006.
A review of Passing and the Fictions of Identity, Elaine K. Ginsberg ed., Duke University Press, 1996.
A review of Cooling the Tropics: Ice, Indigeneity, and Hawaiian Refreshment, Hi′ilei Julia Kawehipuaakahaopulani Hobart, Duke University Press, 2022.
A review of Crip Genealogies, edited by Mel Y. Chen, Alison Kafer, Eunjung Kim, and Julie Avril Minich, Duke University Press, 2023.
A review of Climatic Media: Transpacific Experiments in Atmospheric Control, Yuriko Furuhata, Duke University Press, 2022.
A review of Code: From Information Theory to French Theory, Bernard Dionysius Geoghegan, Duke University Press, 2023.
A review of Breathing Aesthetics, Jean-Thomas Tremblay, Duke University Press, 2022.
A review of Radiation Sounds. Marshallese Music and Nuclear Silences, Jessica A. Schwartz, Duke University Press, 2021.
A review of Black Disability Politics, Sami Schalk, Duke University Press, 2022.
A review of The Ruse of Repair: US Neoliberal Empire and the Turn from Critique, Patricia Stuelke, Duke University Press, 2021.
A review of The Power at the End of the Economy, Brian Massumi, Duke University Press, 2014.
A review of Ugly Freedoms, Elisabeth R. Anker, Duke University Press, 2022.
A review of Dreams of Flight: The Lives of Chinese Women Students in the West, Fran Martin, Duke University Press, 2022.
A review of Dreadful Desires: The Uses of Love in Neoliberal China, Charlie Yi Zhang, Duke University Press, 2022.
A review of Best Practice: Management Consulting and the Ethics of Financialization in China, Kimberly Chong, Duke University Press, 2018.
A review of Vulgar Beauty: Acting Chinese in the Global Sensorium, Mila Zuo, Duke University Press, 2022.
A review of Money, Trains, and Guillotines: Art and Revolution in 1960s Japan, William Marotti, Duke University Press, 2013.
A review of The Creative Underclass: Youth, Race, and the Gentrifying City, Tyler Denmead, Duke University Press, 2019.
A review of Bring on the Books for Everybody: How Literary Culture Became Popular Culture, Jim Collins, Duke University Press, 2010.
A review of Hydraulic City: Water and the Infrastructures of Citizenship in Mumbai, Nikhil Anand, Duke University Press, 2017.
A review of Animating Film Theory, edited by Karen Beckman, Duke University Press, 2014.
A review of An Empire of Indifference: American War and the Financial Logic of Risk Management, Randy Martin, Duke University Press, 2007.
A review of Information Activism: A Queer History of Lesbian Media Technologies, Cait McKinney, Duke University Press, 2020.
A review of Neutral Accent: How Language, Labor, and Life Become Global, A. Aneesh, Duke University Press, 2015.
A review of Epigenetic Landscapes: Drawings as Metaphor, Susan Merrill Squier, Duke University Press, 2017.
A review of None Like Us: Blackness, Belonging, Aesthetic Life, Stephen Best, Duke University Press, 2018.
A review of Placing Outer Space: An Earthly Ethnography of Other Worlds, Lisa Messeri, Duke University Press, 2016.
A review of Garbage Citizenship: Vital Infrastructures of Labor in Dakar, Senegal, Rosalind Fredericks, Duke University Press, 2018.
A review of Pretty Modern: Beauty, Sex, and Plastic Surgery in Brazil, Alexander Edmonds, Duke University Press, 2010.
A review of Theft Is Property! Dispossession and Critical Theory, Robert Nichols, Duke University Press, 2020.
A review of Anthropology and the Racial Politics of Culture, Lee D. Baker, Duke University Press, 2010.
A review of Paris in the Dark. Going to the Movies in the City of Light, 1930–1950, Eric Smoodin, Duke University Press, 2020.
A review of Mobile Subjects: Transnational Imaginaries of Gender Reassignment, Aren Z. Aizura, Duke University Press, 2018.
A review of Contagious. Cultures, Carriers, and the Outbreak Narrative, Priscilla Ward, Duke University Press, 2008.
A review of The CIA in Ecuador, Marc Becker, Duke University Press, 2021.
A review of Edges of Exposure. Toxicology and the Problem of Capacity in Postcolonial Senegal, Noémi Tousignant, Duke University Press, 2018.
A review of The Race of Sound. Listening, Timbre, and Vocality in African American Music, Nina Sun Eidsheim, Duke University Press, 2019.
A review of Queer Korea, edited by Todd A. Henry, Duke University Press, 2020.
A review of Digital Sound Studies, edited by Mary Caton Lingold, Darren Mueller, and Whitney Trettien, Duke University Press, 2018.
A review of Bodily Matters: The Anti-Vaccination Movement in England, 1853–1907, Nadja Durbach, Duke University Press, 2004.
A review of Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde, John Beck and Ryan Bishop, Duke University Press, 2020.
A review of Revolution and Disenchantment: Arab Marxism and the Binds of Emancipation, Fadi A. Bardawil, Duke University Press, 2020.
A review of Animacies: Biopolitics, Racial Mattering, and Queer Affect, Mel Y. Chen, Duke University Press, 2012.
A review of The Sublime Perversion of Capital: Marxist Theory and the Politics of History in Modern Japan, Gavin Walker, Duke University Press, 2016.
A review of Media, Erotics, and Transnational Asia, edited by Purnima Mankekar and Louisa Schein, Duke University Press, 2013.
A review of Metabolic Living: Food, Fat, and the Absorption of Illness in India, Harris Solomon, Duke University Press, 2016.
A review of Cold War Anthropology: The CIA, the Pentagon, and the Growth of Dual Use Anthropology, David H. Price, Duke University Press, 2016.
A review of Energy without Conscience. Oil, Climate Change, and Complicity, David McDermott Hughes, Duke University Press, 2017.
A review of After War: The Weight of Life at Walter Reed, Zoë H. Wool, Duke University Press, 2015.
A review of TV Socialism, Anikó Imre, Duke University Press, 2016.
A review of Disordering the Establishment: Participatory Art and Institutional Critique in France, 1958–1981, Lily Woodruff, Duke University Press, 2020.
A review of Asian Video Cultures: In the Penumbra of the Global, edited by Joshua Neves and Bhaskar Sarkar, Duke University Press, 2017.
A review of Animate Planet: Making Visceral Sense of Living in a High-Tech Ecologically Damaged World, Kath Weston, Duke University Press, 2017.
A review of Respawn: Gamers, Hackers, and Technogenic Life, Colin Milburn, Duke University Press, 2018.
A review of Improvising Medicine: An African Oncology Ward in an Emerging Cancer Epidemic, Julie Livingston, Duke University Press, 2012.
A review of After Ethnos, Tobias Rees, Duke University Press, 2018.
A review of Bioinsecurities: Disease Interventions, Empire, and the Government of Species, Neel Ahuja, Duke University Press, 2016.
A review of Transpacific Feminities: The Making of the Modern Filipina, Denise Cruz, Duke University Press, 2012.
A review of Media Heterotopias: Digital Effects and Material Labor in Global Film Production, Hye Jean Chung, Duke University Press, 2018.
A review of Queer Marxism in Two Chinas, Petrus Liu, Duke University Press, 2015.
A review of Securing Paradise: Tourism and Militarism in Hawai’i and the Philippines, Vernadette Vicuña Gonzalez, Duke University Press, 2013.
A review of The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies, Alexander Zahlten, Duke University Press, 2017.
A review of Media Theory in Japan, edited by Marc Steinberg and Alexander Zahlten, Duke University Press, 2017.
A review of The Right to Maim: Debility, Capacity, Disability, Jasbir K. Puar, Duke University Press, 2017.
A review of Infrahumanisms. Science, Culture, and the Making of Modern Non/personhood, Megan H. Glick, Duke University Press, 2018.
A review of In the Name of Women′s Rights: The Rise of Femonationalism, Sara R. Farris, Duke University Press, 2017.
A review of Shock Therapy: Psychology, Precarity, and Well-Being in Postsocialist Russia, Tomas Matza, Duke University Press, 2018.
A review of Anthropology in the Meantime: Experimental Ethnography, Theory, and Method for the Twenty-First Century, Michael M. J. Fischer, Duke University Press, 2018.
A review of Terrorist Assemblages: Homonationalism in Queer Times, Jasbir K. Puar, Duke University Press, Tenth Anniversary edition, 2017.
A review of Adopted Territory: Transnational Korean Adoptees and the Politics of Belonging, Elena J. Kim, Duke University Press, 2010.
A review of White Love and Other Events in Filipino History, Vicente L. Rafael, Duke University Press, 2000.
A review of Dancing with the Dead: Memory, Performance, and Everyday Life in Postwar Okinawa, Christopher T. Nelson, Duke University Press, 2008.
A review of Endangered City: The Politics of Security and Risk in Bogotá, Austin Zeiderman, Duke University Press, 2016.
A review of The Limits of Okinawa: Japanese Capitalism, Living Labor, and Theorizations of Community, Wendy Matsumura, Duke University Press, 2015.
A review of New Materialisms: Ontology, Agency, and Politics, edited by Diana Coole and Samantha Frost, Duke University Press, 2010.
A review of Appetites: Food and Sex in Post-Socialist China, Judith Farquhar, Duke University Press, 2002.
A review of The Nick of Time: Politics, Evolution, and the Untimely, Elizabeth Grosz, Duke University Press, 2004.
A review of Over There: Living with the U.S. Military Empire from World War Two to the Present, Edited by Maria Höhn and Seungsook Moon, Duke University Press, 2010.
A review of The Great Enterprise: Sovereignty and Historiography in Modern Korea, Henry Em, Duke University Press, 2013.
A review of Laws of Chance: Brazil’s Clandestine Lottery and the Making of Urban Public Life, Amy Chazkel, Duke University Press, 2011.
A review of Asia as Method: Toward Deimperialization, Kuan-Hsing Chen, Duke University Press, 2010.
A review of Orientations: Mapping Studies in the Asian Diaspora, Edited by Kandice Chuh and Karen Shimakawa, Duke University Press, 2001.
A review of Japanoise: Music at the Edge of Circulation, David Novak, Duke University Press, 2013.
A review of The Structure of World History: From Modes of Production to Modes of Exchange, Kojin Karatani, Duke University Press, 2014.
A review of Gilles Deleuze′s Time Machine, David Rodowick, Duke University Press, 1997.
A review of The Ground Between: Anthropologists Engage Philosophy, Edited by Veena Das, Michael D. Jackson, Arthur Kleinman, Bhrigupati Singh. Duke University Press, 2014.
A review of Activist Archives: Youth Culture and the Political Past in Indonesia, Doreen Lee, Duke University Press, 2016.
A review of The Korean Popular Culture Reader, Kyung Hyun Kim and Youngmin Choe Ed., Duke University Press, 2014.
A review of Transnational Sport: Gender, Media, and Global Korea, Rachael Miyung Joo, Duke University Press, 2012.
A review of In the Place of Origins: Modernity and Its Mediums in Northern Thailand, Rosalind C Morris, Duke University Press, 2000.
A review of Virtual Hallyu: Korean Cinema of the Global Era, Kyung Hyun Kim, Duke University Press, 2011.
A review of The Impotence Epidemic: Men’s Medicine and Sexual Desire in Contemporary China, Everett Yuehong Zhang, Duke University Press, 2015.
A review of Unsettling India: Affect, Temporality, Transnationality, Purnima Mankekar, Duke University Press, 2015.
A review of Writing Culture and the Life of Anthropology, edited by Orin Starn, Duke University Press, 2015.
A review of Precarious Japan, Anne Allison, Duke University Press, 2013.
A review of Illusions of a Future: Psychoanalysis and the Biopolitics of Desire, Kate Schechter, Duke University Press, 2014.
A review of Rendering Life Molecular: Models, Modelers, and Excitable Matter, Natasha Myers, Duke University Press, 2015.
A review of The Need to Help: The Domestic Arts of International Humanitarianism, Liisa H. Malkki, Duke University Press, 2015.
A review of Liquidated: An Ethnography of Wall Street, Karen Ho, Duke University Press, 2009.
A review of Nostalgia for the Modern: State Secularism and Everyday Politics in Turkey, Esra Özyürek, Duke University Press, 2006.
A review of Anthropological Futures, Michael M. J. Fischer, Duke University Press, 2009.
A review of Neoliberalism as Exception: Mutations in Citizenship and Sovereignty, Aihwa Ong, Duke University Press, 2006.
A review of Flexible Citizenship: The Cultural Logics of Transnationality, Aihwa Ong, Duke University Press, 1999.
A review of The Remasculinization of Korean Cinema, Kyung Hyun Kim, Duke University Press, 2004.
A review of Women on the Verge: Japanese Women, Western Dreams, Karen Kelsky, Duke University Press, 2001.
A Review of Two Bits: The Cultural Significance of Free Software, Christopher M. Kelty, Duke University Press, 2008.
A review of Morocco Bound: Disorienting America’s Maghreb, from Casablanca to the Marrakech Express, Brian T. Edwards, Duke University Press, 2005.
A review of Manufacturing Modern Japanese Literature: Publishing, Prizes, and the Ascription of Literary Value, Edward Mack, Duke University Press, 2010.
A review of Biocapital: The Constitution of Postgenomic Life, Kaushik Sunder Rajan, Duke University Press, 2006
A review of Entanglements of Empire: Missionaries, Maori, and the Question of the Body, Tony Ballantyne, Duke University Press, 2014.
A review of Muslim Fashion: Contemporary Style Cultures, Reina Lewis, Duke University Press, 2015.
A review of The Soul of Anime: Collaborative Creativity and Japan’s Media Success Story, Ian Condry, Duke University Press, 2013.
A review of Tourist Distractions: Traveling and Feeling in Transnational Hallyu Cinema, Youngmin Choe, Duke University Press, 2016.
A review of Pink Globalization: Hello Kitty’s Trek across the Pacific, by Christine R. Yano, Duke University Press, 2013
A review of Nature in Translation: Japanese Tourism Encounters the Canadian Rockies, by Shiho Satsuka, Duke University Press, 2015.
