A review of Adopted Territory: Transnational Korean Adoptees and the Politics of Belonging, Elena J. Kim, Duke University Press, 2010.
A while ago Fleur Pellerin, then a junior Cabinet member of the French government led by president François Hollande, made her first visit to Korea. To the French, she was known as an elite public servant-turned-politician and put in charge of the digital economy and entrepreneurship portfolio, and also as the only minister with an Asian face. In Korea she became known as “one of us” or a “blood relative”, and during her business trip to Seoul she was welcomed as if she was the homecoming queen. She had a chat with then president Park Geun-hye, and featured in many television shows and media articles. Her first name, Fleur (“flower”), led to a crazed “Fleur-mania”, and her Korean name, Kim Jong-suk, was also made public.
Korea’s largest export
Like about 12 000 French citizen and 160 000 persons worldwide, Fleur Pellerin is a Korean adoptee. She left Korea when she was six months old, never met her biological parents again, and knows next to nothing about her birth country. For Koreans, she is the poor immigrant who made it abroad, and on top of that in a country known for its high culture and glamour – the conclusion of Korean TV dramas usually has the heartbroken heroin go to France to “refashion herself”. But she also reminds Koreans of darker times, and of a phenomenon of transnational adoption that many feel awkward about. Not so long ago, the nation’s pride in hosting the 1988 Summer Olympics was bruised by reports in the American press asserting that children constituted Korea’s “largest export”. Reaching out to adopted Koreans abroad, incorporating them in the community of overseas Koreans, and heralding their success was therefore a way for the Korean public to turn a sore spot into a matter of pride and celebration.
As Elena Kim reminds her readers in her ethnography of adopted Korean communities, Korean adoptees came to the West in distinct waves. First came the war orphans and mixed-blood children of US soldiers and Korean women. Then, in the 1960s and 1970s, American and West European families adopted the offsprings of single mothers or poor households who were convinced to relinquish their newborn baby in exchange of a hefty sum. Today, nearly all the children adopted overseas are infants born to unwed mothers in their late teens and early twenties. Meanwhile, the Koreans adopted in the past decades have become adults in their country of adoption, and today form a global community composed of subsets of regional and online groups with distinct histories and concerns. Internet and globalization have brought them together, and many are claiming voice and agency as a particular public with shared experience and common bonds.
The problem of adoption
The propinquity of money and children in transnational adoption and the attendant suspicion of human trafficking have made Korea’s overseas adoption program a target of criticism throughout its history. It has been argued that orphanages (which were largely funded by Western relief organizations), and, later, state-subsidized adoption agencies, functioned as a surrogate welfare system and a conduit for foreign exchange. It has been further advanced that Korea’s international adoption system not only retarded the development of domestic adoption and child welfare policies, but also provided a quick-fix solution that has been complicit in the social disenfranchisement of Korean women. Today South Korea has the lowest birth rate in the world, with fast increasing numbers of abortion and divorce. The “problem” of adoption (ibyang munje) has become a matter of public debate in which adult Korean adoptees and Korean birth mothers of an earlier period increasingly have a say.
What is unique about Korea’s adoption program? First, conventional wisdom in South Korea and in the Western countries to which adoptees are sent blames the persistence of Confucian family values and preoccupations with patrilineal bloodlines for the reluctance among Koreans to adopt “their children”. This is changing fast, with placement agencies now under the obligation to encourage domestic adoption first and famous media figures making a public gesture of adopting their own children. Second, the Korean state has so far failed to promote extended models of family arrangements, provide adequate financial support for single mothers, or tackle the problem of inadequate sex education. Adult adoptees such as Fleur Pellerin and lesser-known figures could help challenge dominant representations and policy outcomes, especially when they come from Europe, where the social security system is well developed and recomposed families are almost becoming the norm. Third, the long shadow of stigma associated with unwed motherhood in Korea is slowly eroding as Korean society enters a phase of globalized modernity.
A social experiment
But the most distinctive feature of Korea’s adoption program is that it came first, and therefore became the template for subsequent programs. Korean adoptees represented a “social experiment”, the outcomes of which were subject to intense scrutiny and debate since the practice began in the mid-1950s. Korean adoptions, determined to be largely successful by social workers and academic experts, expanded dramatically in the 1970s and paved the way for subsequent waves of adoptions of children from the developing world into white Western homes. By the 1970s, largely due to the success of the Korean model, transnational adoption became an institutionalized social welfare practice into many nations and a naturalized “choice” for individuals in the United States or in Europe. As Elena Kim notes, the adoption model is built upon the archetypal figure of the orphan who is construed as the ultimate figure of global humanitarianism, permitting Americans in particular to “save” children who are themselves often victims of American foreign policy decisions.
Not all adoptees were raised in wealthy, happy families with caring surrogate parents. Some experienced hardships and rejection by siblings and relatives; a significant number faced racism and bigotry at school or in their community; and most of them had to cope with the awkward feeling of being “yellow outside, white inside”. Adoption is based on separation, and the traumatic scene of abandonment sometimes lingers. According to adoption specialists, loss and grief are inescapable aspects of the adoption experience for all members involved in an adoption. Adoptees and their relatives construct “what if” scenarios and “phantom lives” of what they would have become if they had stayed in Korea. Some adopted Koreans dream of a more authentic self in their birth country, while foster parents or agency workers sometimes construct cautionary tales about girls being forced into prostitution or reduced to a dehumanized treatment. For the most politically oriented adoptees, crafting a germane public discourse for discussing the politics of adoption is a difficult process. Typically, the adoptee can only feel gratitude and indebtedness for having been given “life” and “opportunity” through inclusion in the bourgeois nuclear family, and more complex feelings of ambivalence, mourning, or resentment are suppressed, condemned as ungrateful, or pathologized.
The quest for roots
Faced with the taboos and emotionally charged issues that adoption raises, some adoptees simply choose to ignore their roots and go on with their lives. Others, increasingly, go on a quest for origins to discover the country of their birth and, for some of them, to try to meet with their biological parents. Since 2012, adopted Koreans can choose for double citizenship, or they can apply for a visa that allows them to live and work in Korea. But language and, sometimes, prejudices, remain a problem and put a barrier between them and the rest of the population. A social event known as The Gathering allows them to get together and share experience. Meeting other adoptees can feel like rediscovering one’s lost tribe: “None of us had real peer groups growing up,” notes one adoptee. “When we found each other, it was an electric thing.” Self-exploration through shared storytelling is central to adoptee social practices and can be seen as a performative negotiation of self and world. The misadjustment or lack of fit with dominant national, ethnic, and cultural models forms the basis for creating a space where, as more than one adoptee has stated, “there’s less explaining to do”.
Adopted Territories is a work of cultural anthropology that comes loaded with theoretical concepts and abstract discussions. For Elena Kim, drawing on social theorists such as Judith Butler and Aihwa Ong, adoption blurs and unsettles the categories of race, nation, and family. Not unlike the forms of gay and lesbian kinship identified by queer theory, adoptees’ experiences with nonnormative family forms lay the ground for alternative forms of personhood and kinship, contributing to the production of a shared global imaginary that has taken on transnational dimensions. “Adoptee kinship” is defined as “a form of solidarity based upon radical contingency rather than biologically rooted certitudes”. From this perspective, kinship is not a preexisting truth that is discovered or found, but rather a set of relationships actively created out of social practice and cultural representation. It is a model of kinship that is not exclusive but additive, transnational, and expansive. “Public intimacy”, another oxymoron, designates the potential sites of identification and association that extend beyond the biological family, thereby producing new kinds of identities and intimate relations.
Social theory
The notion of “counterpublic”, a term coined by Nancy Fraser in her critique of Habermas’ model of the public sphere, “highlights the fact that the adoptee social imaginary exists in diacritical relation to dominant publics – whether in the United States, Europe, South Korea, or an increasingly transnational public sphere.” The adoptee counterpublic is organized around a discursive process of identity construction in which adoptees endeavor to define themselves as a group that is distinct from others yet exists in relation to the wider public. By coining the notion of “contingent essentialism”, the author points to the fact that “adoptee identity is at once essentialized as something natural and also construed as something cultural and socially constructed.” Contingent essentialism is distinct from the biologism or genetic essentialism that characterizes much of the public discourse about adoptees and their “real” origins, identities, or families. Elena Kim defines “adopted territories” as “networks of adoptees and their activities, situated in a range of virtual and actual locations, that comprise the transnational Korean adoptee counterpublic.”
Borrowed from Judith Butler, the notion of “constitutive outside” points to the legal fiction of the orphan that leaves behind an excess of relationship, which “enchains” the child givers and recipients and “haunts” adoptee subjectivities. “Adoption not only makes children into orphans, but, over time, also produces missing persons,” writes Elena Kim, who illustrates her writing with artworks from internationally adopted artists. The book cover, a community artwork conceived by artist and activist Leanne Leith, features numbered tags bearing travel certificates delivered by the Republic of Korea, each tag representing one South Korean gone missing through international adoption. Much as the abstract conceptualizations, the live testimonies of adoptees and art pictures displayed in the book illustrate the potent message of longing and belonging that addresses a constitutive dimension of our shared humanity. Korean adoptees or not, “we all negotiate contingencies of personhood out of insufficient and mutable categories of the biological and the social.”

When Austin Zeiderman arrived in Bogotá in 2006 to conduct his fieldwork in anthropology, he didn’t know he was in for many surprises. The mismatch between the preconceived notions he had about Colombia’s capital and what he experienced on the ground couldn’t have been greater. People had warned him about the place: Bogotá was perceived as a city fraught with crime and corruption, where danger loomed at every corner. Not so long ago, Bogotá’s homicide rate was one of the highest in the world and assassinations, kidnappings, and bombings were almost routine. Histories of violence often produce enduring cultures of fear that are difficult to dispel: people develop strategies to avoid danger and cope with risk. For individuals as for collectives, the trauma of violence persists long after the traumatic event has faded into the past. People told the young anthropologist that he definitely shouldn’t venture in the slums that occupy the hillsides of Bogotá’s southern periphery. It is therefore with some apprehension that Austin Zeiderman joined la Caja, a municipal agency located in this danger zone, where he was to spend twenty months doing participatory observation. His first surprise was that danger and criminality were much talked about and feared, but he never experienced it firsthand: “not once during my time in these parts of Bogotá was I harassed, mugged, or assaulted.” Indeed, he felt almost more secure in the hillside barrios of Bogotá than in his native place of Philadelphia, where he had learnt to navigate the city with precaution so as to avoid potential threats. There had been a dramatic decline in violent crime in Bogotá, and the city was now safer than it had been for half a century. Instead of criminals, petty thieves, and corrupt officials, he met with law-abiding citizens, dedicated social workers, and peaceful communities.
In everyday language, a materialist is defined as a person who considers material possessions and physical comfort as more important than spiritual values. According to Madonna’s famous song, “we are living in a material world.” Says the Material Girl: “Some boys kiss me, some boys hug me / I think they’re okay / If they don’t give me proper credit, I just walk away /…/ ‘Cause the boy with the cold hard cash is always Mister Right.” Madonna may not have had in mind the new materialisms referred to in the book edited by Diana Coole and Samantha Frost. Here materialism refers to the philosophical doctrine that nothing exists except matter and its movements and modifications, as opposed to spiritualism that posits a dualism between subject and matter. But the material girl’s lyrics may provide a good entry point into this volume. After all, Madonna’s kissing and hugging addresses a strong message to the feminists who have been accused of routinely ignoring the matter of corporeal life. In exposing her body, Madonna draws our attention to what really matters (sex), while referring to non-bodily retributions (money) that also matter a great deal. So my materialist questions to the book will be: Do we still live in a material world according to these new versions of materialism? Do the authors give proper credit, and to whom? What does the reader get from his or her cold hard cash? And are the contributors always Mr (or Mrs) Right?
“Appetite for food and sex is nature.” Or so says the sage Mencius, as translated by D.C. Lau. But Judith Farquhar begs to differ. For her, food and sex, and our appetites for them, are historical matters through and through. As proof, she points the fact that, in contemporary China, attitudes towards carnal and dietary consumption have changed dramatically in the course of less than two decades. China has transited from a socialist to a market economy and, in the process, a new body has emerged, with new attitudes towards food and sex, with new appetites and desires. The new Chinese body differs substantially from its previous socialist version. The socialist body was frugal, martial, and asexual. The new body is gluttonous, relaxed, and sensual. If what constitutes our most intimate dimension can change in such a short span of time, then it is proof that food and sex do not stand on the side of nature, but belong squarely to the camp of history and human society. Appetite for food and sex is not nature: it comes from our second nature as social and historical beings.
“Life” has emerged as a key concept in anthropology. It is the central notion that defines the discipline in our present day and age. So was “culture” in the eighties, when the volume Writing Culture was published. Many scholars and graduate students took to this book and projected unto it their hopes and frustrations with a discipline many considered as tainted by its colonial past and epistemological present. This was before the “culture wars” that cultural studies helped ignite, and after counter-culture had denounced America’s pretension to hegemony. Titling a book “Writing Culture and the Life of Anthropology,” almost thirty years after Writing Culture had practically declared anthropology dead, is to proclaim that there is life after death. Or maybe resurrection: in the course of three decades, anthropology has reinvented itself in order to make itself relevant for a world that has shattered its historical certitudes.
There is an annual competition that allows PhD students to dance their research. The contestants, individually or in groups, present their research results in a choreography that gets evaluated by a jury. The first “Dance Your PhD Contest,” held in 2008, attracted significant interest from the media and on Youtube, and the number of applicants has been increasing ever since. Other Youtube videos extend a second lease of life to students’ dancing performances and staged choreographies inspired by scientific discoveries. In 1971, a football field at Stanford University became the scene of a large-scale “molecular happening,” in which more than one hundred performers staged the intricate molecular interactions involved in protein synthesis.
Biopolitics is a notion propounded by Michel Foucault whereby “life becomes the explicit center of political calculation.” The increasing use of this notion in the social sciences underscores a fundamental evolution. In the twenty-first century, as anticipated by Foucault, power over the biological lives of individuals and peoples has become a decisive component of political power, and control over one’s biology is becoming a central focus for political action. Used by the late Foucault in his lectures at the Collège de France, biopolitics and its associated concept, governmentality (“the conduct of conducts”), are now in the phase of constituting a whole new paradigm, a way to define what we are and what we do. Biopolitics and governmentality are now declined by many scholars who have proposed associated notions: “bare life” and the “state of exception” (Giorgio Agamben), “multitude” and “empire” (Michael Hardt and Antonio Negri), “biological citizenship” and “the politics of life itself” (Nikolas Rose), “biopolitical assemblages” and “graduated sovereignty” (Aihwa Ong), “cyborg” and “posthumanities” (Donna Haraway), etc. This flowering of conceptualizations is often associated with a critique of neoliberalism as the dominant form of globalized governmentality, and to a renewal of Marxist studies that revisit classical notions (surplus value, commodity fetishism, alienation of labor…) in light of new developments.