Anti-Vaccine Campaigns Then and Now: Lessons from 19th-Century England

A review of Bodily Matters: The Anti-Vaccination Movement in England, 1853–1907, Nadja Durbach, Duke University Press, 2004.

Bodily MattersIn 1980, smallpox, also known as variola, became the only human infectious disease ever to be completely eradicated. Smallpox had plagued humanity since times immemorial. It is believed to have appeared around 10,000 BC, at the time of the first agricultural settlements. Stains of smallpox were found in Egyptian mummies, in ancient Chinese tombs, and among the Roman legions. Long before germ theory was developed and bacteria or viruses could be observed, humanity was already familiar with ways to prevent the disease and to produce a remedy. The technique of variolation, or exposing patients to the disease so that they develop immunity, was already known to the Chinese in the fifteenth century and to India, the Ottoman Empire, and Europe in the eighteenth century. In 1796, Edward Jenner developed the first vaccine by noticing that milkmaids who had gotten cowpox never contracted smallpox. Calves or children produced the cowpox lymph that was then inoculated to patients to vaccinate them from smallpox. Vaccination became widely accepted and gradually replaced the practice of variolation. By the end of the nineteenth century, Europeans vaccinated most of their children and they brought the technique to the colonies, where it was nonetheless slow to take hold. In 1959, the World Health Organization initiated a plan to rid the world of smallpox. The concept of global health emerged from that enterprise and, as a result of these efforts, the World Health Assembly declared smallpox eradicated in 1980 and recommended that all countries cease routine smallpox vaccination.

Humanity’s greatest achievement

The eradication of smallpox should be celebrated as one of humanity’s greatest achievements. But it isn’t. In recent years vaccination has emerged as a controversial issue. Claiming various health concerns or belief motives, some parents are reluctant to let their children receive some or all of the recommended vaccines. The constituents who make up the so-called vaccine resistant community come from disparate groups, and include anti-government libertarians, apostles of the all-natural, and parents who believe that doctors should not dictate medical decisions about children. They circulate wild claims that autism is linked to vaccines, based on a fraudulent study that was long ago debunked. They affirm, without any scientific backing, that infant immune systems can’t handle so many vaccines, that natural immunity is better than vaccine-acquired immunity, and that vaccines aren’t worth the risk as they may create allergic reactions or even infect the child with the disease they are trying to prevent. Public health officials and physicians have been combating these misconceptions about vaccines for decades. But anti-vaccine memes seem deeply ingrained in segments of the public, and they feed on new pieces of information and communication channels as they circulate by word-of-mouth and on social media. Each country seems to have a special reluctance for a particular vaccine: in the United State, the MMR vaccine against measles, mumps, and rubella has been the target of anti-vax campaigns. in France, the innocuity of the hepatitis B vaccine has been put into question, and most people neglect to vaccinate against seasonal flu. In the Islamic world, some fatwas have targeted vaccination against polio.

Resistance to vaccines isn’t new. In Bodily Matters, Nadja Durbach investigates the history of the first outbreak of anti-vaccine fever: the anti-vaccination movement that spread over England from 1853, the year the first Compulsory Vaccination Act was established on the basis of the Poor Law system, until 1907, when the last legislation on smallpox was adopted to grant exemption certificates to reluctant parents. Like its modern equivalent, it is a history that pits the medical establishment and the scientific community against vast segments of the population. Vaccination against smallpox at that time was a painful affair: Victorian vaccinators used a lancet to cut lines into the flesh of infants’ arms, then applied the lymph that had developed on the suppurating blisters of other children who had received the same treatment. Infections often developed, diseases were passed with the arm-to-arm method, and some babies responded badly to the vaccine. Statistics showing the efficacy of vaccination were not fully reliable: doctors routinely classified those with no vaccination scars as “unvaccinated,” and the number of patients who caught smallpox after receiving vaccination was not properly counted. The vaccination process was perceived as invasive, painful, and of dubious effect: opponents to vaccination claimed that it caused many more deaths than the diffusion of smallpox itself. Serious infections such as gangrene could follow even a successful vaccination. But people not only resisted the invasion of the body and the risk to their health: resistance against compulsory vaccination was also predicated upon assumptions about the boundaries of state intervention in personal life. Concerns about the role of the state, the rights of the individual, and the authority of the medical profession combined with deeply-held beliefs about the health and safety of the body.

Anti-vaccination in 19th-century England

While historians have often seen anti-vaccination as resistance against progress and enlightenment, the picture that emerges from the historical narrative, as reconstructed by Nadja Durbach, is much more nuanced. Through detailed analysis of the way sanitary policies were implemented and the resistance they faced, she shows that anti-vaccination in nineteenth-century England was very often on the side of social progress, democratic accountability, and the promotion of working-class interest, while forced vaccination was synonymous with state control, medical hegemony, and the encroachment of private liberties. The growth of professional medicine run counter to the interests of practitioners such as unlicensed physicians, surgeons, midwives, and apothecaries, some of whom had practiced variolation with the smallpox virus for a long time. It abolished the long-held practice of negotiating what treatments were to be applied, and turned patients into passive receptacles of prescriptions backed by the authority of science and the state. Compulsory infant vaccination, as the first continuous public-health activity undertaken by the state, ushered in a new age in which the Victorian state became intimately involved in bodily matters. Administrators—the same officers who applied the infamous Poor Laws and ran the workhouses for indigents and vagabonds—saw the bodies of the working classes themselves as contagious and, like prisoners, beggars, and paupers, in need of surveillance and control. Sanitary technologies such as quarantines, compulsory medical checks, forced sanitization of houses, and destruction of contaminated property were first experimented in this context of state-enforced medicine and bureaucratization. Several Vaccination Acts were adopted—in 1853, 1867, and 1871—to ensure that all infants born from poor families were vaccinated against smallpox. The fact that the authorities had to repeat the same laws on the books shows that the “lower and uneducated classes” were not taking advantage of the free service, and were avoiding mandatory vaccination at all costs.

Born in the 1850s, the anti-vaccination movement took shape in the late 1860s and early ‘70s as resisters responded to what they considered an increasingly coercive vaccination policy. The first to protest were traditional healers and proponents of alternative medicine who felt threatened by the professionalization of health care and the development of medical science. For these alternative practitioners, medicine was more art than science, and the state had no role in regulating this sector of activity. They objected to the scientific experimentation on the human body: vaccination, they maintained, not only polluted the blood with animal material but also spread dangerous diseases such as scrofula and syphilis. These early medical dissenters were soon rejoined by a motley crew of social activists who added the anti-vaccination cause to their broader social and political agenda. Temperance associations, anti-vivisectionists, vegetarians and food reformers, women’s rights advocates, working men’s clubs, trade unionists, religious sects, followers of the Swedish mystic Swedenborg: all these movements formed a larger culture of dissent in which anti-vaccinators found a place. They created leagues to organize against the Vaccination Acts, organized debates and mass meetings, published tracts and bulletins, and held demonstrations that sometimes turned into small-scale riots. Women from all social classes were particularly active: they wrote pamphlets, contributed letters to newspapers, and expressed strong opposition at public meetings. They often took their roles as guardians of the home quite literally, and refused to open their door to intruding medical officials. Campaigners argued that parental rights were political rights, to which all respectable English citizens were entitled. The state, they contended, had no right to encroach on parental choice and individual freedom. “The Englishman’s home is his castle,” they maintained, and how best to raise a family was a domestic issue over which the state had no authority to interfere.

Middle-class campaigners and working-class opponents

While the populist language of rights and citizenship enabled a cross-class alliance to exist, the middle-class campaigners didn’t experience the bulk of repression that befell on working-class families that resisted compulsory vaccination. Working-class noncompliers were routinely sized from their houses and dragged to jail, or were charged with heavy fines. Middle-class activists clung to the old liberal tenets of individual rights and laissez-faire: “There should be free trade in vaccination; let those buy it who want it, and let those be free who don’t want it.” By contrast, working-class protests against vaccination was often formulated at the level of the collective, and they had important bodily implications. Some anti-vaccinators considered themselves socialists and belonged to the Independent Labour Party. They aligned their fight with the interest of the working class and expressed distrust of state welfare in general and of anti-pauperism in particular. The Poor Laws that forced recipient of government relief into the workhouse were a target of widespread detestation. Vaccination remained linked to poor relief in the minds of many parents, as workhouse surgeons were often in charge of inoculation and the health campaigns remained administered by the Poor Law Board. Public vaccination was performed at vaccination stations, regarded by many as sites of moral and physical pollution. The vaccination of children from arm to arm provoked enormous fears of contamination. Parents expressed a shared experience of the body as violated and coerced, and repeatedly voiced their grievances in the political language of class conflict. Their protests helped to shape the production of a working-class identity by locating class consciousness in shared bodily experience.

Anti-vaccination also drew from an imaginary of bodily invasion, blood contamination, and monstrous transformations. Many Victorians believed that health depended on preserving the body’s integrity, encouraging the circulation of pure blood, and preventing the introduction of any foreign material into the body. Gothic novels popularized the figures of the vampire, the body-snatcher, and the incubus. They offered lurid tales of rotten flesh and scabrous wounds that left a mark on readers’ imagination. Anti-vaccinators heavily exploited these gothic tropes to generate parental anxieties: they depicted vaccination as a kind of ritual murder or child sacrifice, a sacrilege that interfered with the God-given body of the pristine child. They quoted the Book of Revelations: “Fool and evil sores came upon the men who bore the mark of the beast.” Supporters of vaccination also participated in the production of this sensationalist imagery by depicting innocent victims of the smallpox disease turned into loathsome creatures. Fear of bodily violation was intimately bound up with concerns over the purity of the blood and the proper functioning of the circulatory system. The best guard against smallpox, maintained a medical dissenter, was to keep “the blood pure, the bowels regular, and the skin clean.” Temperance advocates or proselytizing vegetarians added anti-vaccine to their cause: “If there is anything that I detest more than others, they are vaccination, alcohol, and tobacco.” As the lymph applied to children’s sores was the product of disease-infected cows, some parents feared that vaccinated children might adopt cow-like tendencies, or that calf lymph might also transmit animal diseases. Human lymph was even more problematic: applied from arm to arm, it could expose untainted children to the poisonous fluids of contaminated patients and spread contagious or hereditary diseases such as scrofula, syphilis, leprosy, blindness, or tuberculosis.

Understanding the intellectual and social roots of anti-vax campaigns

This early wave of resistance to vaccination, as depicted in Bodily Matters, is crucial to understanding the intellectual and social roots of modern anti-vaccine campaigns. Then as now, anti-vax advocates use the same arguments: that vaccines are unsafe and inefficient, that the government is abusing its power, and that alternative health practices are preferable. Vaccination is no longer coercive and disciplinary, but the issue of compulsory treatment of certain professions such as healthcare workers regularly resurfaces. More fundamentally, the Victorian era in nineteenth-century England was, like our own age, a time of deepening democratization and rampant anti-elitism. Now, too, the democratization of knowledge and truth can produce an odd mixture of credulity and skepticism among many ordinary citizens. Moreover, we, too, are living in an era when state-enforced medicine and scientific expertise are being challenged. Science has become just another voice in the room, and people are carrying their reliance on individual judgment to ridiculous extremes. With everyone being told that their ideas about medicine, art, and government are as valid as those of the so-called “experts” and “those in power,” truth and knowledge become elusive and difficult to pin down. As we are discovering again, democracy and elite expertise do not always go well together. Where everything is believable, everything is doubtable. And when all claims to expert knowledge become suspect, people will tend to mistrust anything that they have not seen, felt, heard, tasted, or smelled. Proponents of alternative medicine uphold a more holistic approach to sickness and health and they claim, as did nineteenth century medical dissenters, that every man and woman could and should be his or her own doctor. Of course, campaigners from the late Victorian age could only have dreamed of the role that social media has enabled ordinary people to play. The pamphlets and periodicals of the 1870s couldn’t hold a candle to Twitter, Facebook, and other platforms that enable everyone to participate in the creation of popular opinion.

Which brings us to the present situation. As I write this review, governments all over the world are busy developing, acquiring, and administering new vaccines against an infectious disease that has left no country untouched. The Covid-19, as the new viral disease is known, has spread across borders like wildfire, demonstrating the interconnect nature of our present global age. Pending the diffusion of an effective treatment, herd immunity, which was touted by some experts as a possible endgame, can only be attained at a staggering cost in human lives and economic loss. “Flattening the curve” to allow the healthcare system to cope with the crisis before mass vaccination campaigns unroll quickly became the new mantra, and rankings were made among countries to determine which policies have proven the most efficient in containing the disease. Meanwhile, scientists have worked furiously to develop and test an effective vaccine. Vaccines usually take years to develop and they are submitted to a lengthy process of testing and approval until they reach the market. Covid-19 has changed all this: several proof-tested vaccines using three different technologies are currently being administered in the most time-condensed vaccination campaign of all times. This is when resistance to vaccines resurfaces: as vaccines become widely available, a significant proportion of the population in developing countries are refusing to get their shots. And many of those refusing are those who have the most reason to get vaccinated: high-risk themselves or susceptible of passing the virus to other vulnerable people. Disinformation, distrust and rumors that are downright delusional have turned what should have been a well-oiled operation into an organizational nightmare. In the end, we will get rid of Covid-19. But we can’t and we won’t get rid of our dependence on vaccines.

Letter to a Young Muslim Fashionista

A review of Muslim Fashion: Contemporary Style Cultures, Reina Lewis, Duke University Press, 2015.

muslim-fashionSo you’ve picked up this book because you think Muslim fashion is the next new thing. You’ve made a good choice: this book is totally made for you. It is a book that will teach you things, give you ideas, and make you think. Don’t expect tips on what to wear and how to wear it, though: this you will have to decide for yourself. If who you are is what you wear, then you cannot delegate this task to a third party. But reading Muslim Fashion will help you make your own choices and dress on your own terms. Maybe you won’t feel the same after reading it. Maybe your image will look different into the mirror. This is what they call a transformative book: it will make you see things differently. This is the good thing about reading books in general: you can turn them to your own use. So if this book helps you dress smarter, so be it. But it may also help you think about what you wear and why you wear it. If your style of dress makes a statement, be sure it includes the word fashion in it.

If your style of dress makes a statement, be sure it includes the word fashion in it.

To be frank with you, you may find Muslim Fashion a bit hard to read. But relax: this book review is here to help you through the reading. It will give you tips that will make understand things a lot easier. So don’t freak out if you see long sentences and difficult words. This is how people working as university professors make a living. Sentences are like skirts: you can wear them long or short according to your likes and dislikes. Trust me: I will use short sentences to describe long hijabs and ample robes. Or at least I’ll try. As a full disclosure, I don’t work in the fashion industry, and I am not involved in any way with Muslim fashion. I just like to read difficult books and try to make them simpler to read by writing book reviews. I wrote this one especially for you. If you find it helpful, you may provide feedback by clicking on the ‘helpful’ button or by writing a comment. But please understand: I am not a specialist in Muslim or modest fashion, or in any women’s fashion for that respect. So take my writing with a pinch of salt: if you disagree with what you read, blame the author of the book, not me.

I am starting from the premise that you are already familiar with basic vocabulary. So you can tell a niqab from an abaya, a jilbab from a hijab, or a shayla from a turban. You may also be familiar with ethnic clothing: burqa cover from Afghanistan, kebaya dress from South-East Asia, chador cloak from Iran, tesettür veil from Turkey, salwar kameez outfit from South Asia. I am also assuming that you know what pious fashion, or modest fashion, is about. So you may be interested to learn where it came from, or how it varies in time and place. The important point to make is that modest fashion is not only about To Veil or Not To Veil. And even if you do, there are many different styles to veiling. Indeed, you may wish to design your own style, based on examples and references glimpsed in magazines or on the street. There are also a lot of tutorials available on Youtube. This is not pure exhibition: people choose what to show and what to hide. All people do.

You can be both pious and fashionable at the same time

Some islamic clothing are clearly outside the purview of fashion. This is clearly the case with burqa, niqab, or abaya—although you may be interested to learn that some embroidered abaya sell for thousands of dollars in Gulf states. Indeed, some people challenge the idea that you can be both pious and fashionable at the same time. For them, a modest outlook is the antithesis of fashion: modesty is to break free from the tyranny of appearance, to contest the idolatry of the body. And indeed, the fashion world has accustomed us with habits that are far from restrained or modest. Exposed nudity, promiscuity between models and their admirers, rumors of drug consumption and tales of anorexia make the catwalk sound like a freak show. No wonder some customers and clothes designers want to break free from this model. But that’s the thing about fashion: no fashion is still fashion, especially when it becomes fashionable. This is what is happening with Muslim fashion; and this is the story that the author Reina Lewis recollects in her book.

On a first look, no industry could be farther from fashion than the tesettür producers in Turkey, This is a country that brands itself secular and where the wearing of headscarves is frowned upon by the state, with an outright ban in schools and colleges or in the national parliament. Women wearing the local headscarf or tesettür have other concerns than fashion. Since Atatürk promoted western clothing and western mores, wearing the veil has always been coded as old-fashioned, rural or excessively religious in secular Turkey. But think again: tesettür companies have gained market share at home and abroad, and are now competing on brand image and seasonal collections. Today’s veiling-fashion producers market colorful and constantly changing styles, from bold and close-fitting to more conservative ones. Istanbul is now developing itself as a fashion city with a critical mass of consumers and fashion specialists, and Muslim fashion is definitely part of the show. For many young Islamic women, wearing a headscarf marks them off as different from their mothers who are going out bareheaded. This is precisely the point: who would like to look exactly like her mother? And as fashion catalogues and lifestyle magazines will show you, there are many ways to wear the tesettür.

People have the right to wear the hijab if they choose to do so.

Doing research for her book, Reina Lewis interviewed several shop workers wearing the hijab in fashion stores or malls located in several British cities. The interviews were conducted between 2005 and 2010, and I am sure many things have changed since then. But maybe some things haven’t. UK law promotes employment equality regardless of religion or belief, and so sales persons have the right to wear the hijab if they choose to do so. Shop rules may define how workers dress and present themselves, but only up to a point. Discrimination on grounds of religion can bring an employer to court. Of course, how sales assistants dress is important for their boss and for their clients. They are the brand’s ambassadors, and their style and advice will help match the product and the consumer. In this context, familiarity with modest or pious style can be an asset, especially in neighborhoods populated by Muslim families. Take the case of Y.S. for instance. She didn’t have to apply for a job: she was recruited while shopping in a branch of Dorothy Perkins because the store manager thought she looked cool. She wore her hijab with style and personality, and being modest and trendy was exactly the image the store wanted to project.

Here I may introduce a few concepts proposed by Pierre Bourdieu, a French sociologist. For Bourdieu, style is a form of symbolic capital: it is something that you can cultivate and that can be converted into forms of economic capital, like finding a job in a lifestyle magazine or a fashion store. Style is also a component of habitus, a social property of individuals that orients human behavior without strictly determining it. In a book called La Distinction, Bourdieu described the rise of a new class of cultural intermediaries working in service activities: sales, marketing, advertising, public relations, fashion, decoration, and so on. Upwardly mobile, these middle class individuals used their symbolic capital and were driven by their habitus to give legitimacy to new forms of cultural activities: minor arts such as photography or jazz music, self-presentation through fashion and lifestyle, and mass consumption of goods and appliances designed to make life easier. The young fashionistas described in Muslim Fashion are the heirs of these trendsetters. They do not act in isolation, but in a field (another important concept from Bourdieu) composed of many players and sources of authority. Only this field is not much cultural as it is religious. As surprising as it may seem, women participating in Muslim fashion are also religious intermediaries.

Fashion is usually regarded outside of the mainstream of religious concerns. Except for Islam: in this case many people—Muslim and non-Muslim—have an opinion on what Islamic women should and shouldn’t wear. As Reina Lewis describes it in another chapter, Muslim lifestyle magazines and fashion catalogues are faced with a conundrum. How to represent women’s bodies? Some magazines such as Azizah have a policy of always putting a model with a headscarf on their cover. Others, such as the American quarterly Muslim Girl, do exactly the opposite: their idea is to represent as many different girls as possible and all their different approaches to faith. Still others avoid photographs of the human form, or take pictures of women viewed from behind so as not to show their face. Emel, another lifestyle magazine, takes straight-up photos of real people wearing street fashion but avoids professional models. The representation of female bodies raises even more controversies online, where readers and commentators are prompt to express their views in reaction to blog posts or social media pictures. Reina Lewis describes how the rise of online brands selling modest apparel was accompanied by the development of a lively blogosphere and social media devoted to modest style.

Modest fashion is coming to a store near you

A new category of “modest fashion” has therefore emerged and become legitimized on the Internet. Women can now find products designed with modesty in mind, consult style guides and join in fashion discussions about how to style modesty. These discussions are not necessarily faith-based and inspired by Islam: they can be inter-faith—as some Christian groups or Jewish believers have similar modesty needs—or based on no faith at all. They are increasingly cosmopolitan: see for example the new fashion line designed by Hana Tajima, an English woman based in Malaysia, which was launched in Singapore by Uniqlo, a Japanese apparel company. I have to confess I learned more from browsing the web using the “modest fashion” keyword than from reading long articles about secularity and attitudes considered as ostentatiously religious in my own country—which is France. Speaking of France, if I have a minor quibble with Reina Lewis’ book, it is when she alludes to a supposedly outright ban of Islamic dress in France, whereas the limitations introduced by French law are only limited to certain types of dress—the face-veil—or to certain locations, such as schools. And even these laws may evolve, along with the changing attitudes among the French public. Paris has long been the capital of fashion: my personal wish is that it will also become a magnet for the creation and expression of Muslim fashion.