This Voice Sounds Black

A review of The Race of Sound. Listening, Timbre, and Vocality in African American Music, Nina Sun Eidsheim, Duke University Press, 2019.

The Race of SoundI close my eyes and I can hear Billie Holiday’s black voice filling the room. Her voice, described as “a unique blend of vulnerability, innocence, and sexuality,” speaks of a life marked by abandonment, drug abuse, romantic turmoil, and premature death. Hearing Billie Holiday sing the blues also summons her black ancestors’ history of enslavement, hard labor, racial segregation, and disfranchisement. I can imagine the black singer, cigarette in hand, eyes closed, bearing the sorrow of shattered hopes and broken dreams. But wait. I open my eyes and what I see on the screen is a seven-year-old Norwegian named Angelina Jordan performing on the variety show Norway’s Got Talent. Her imitation of Billie Holiday is almost perfect: pitch, rhythm, intonation, and vocal range correspond to her model down to the smallest detail. Here is a combination of a child’s frail body and the sound of an iconic singer that we usually hear through the narrative of her unfortunate life and perceived ethnicity. Impersonations of African-American singers can be problematic: as Nina Eidsheim notes, they bring to mind a past history of blackface minstrelsy and racist exploitation, and a present still marked by cultural misappropriation and racial stereotypes. But her point is elsewhere: by assigning a race or ethnicity to the sound of a voice, we commit a common fallacy that helps reproduce and essentialize the notion of race. We hear race where, in fact, it isn’t.

Hearing race where it isn’t

Do black voices sound different? Biologically speaking, it makes no sense to assign a racial identity to the sound of a voice. Vocal timbre is determined by the diameter and length of the vocal tract and the size of the vocal folds, neither of which are affected by race or ethnicity. These components vary with gender, age, and enculturation into “communities of language and speech.” The training of the voice, like the training of the body, affects the development of vocal tissue, mass, musculature, and ligaments. Training or “entrainment” takes place both formally and informally, involving vocal practices such as speaking, singing, acting, imitating, crying, or laughing. We grow up into a certain voice tone, and this vocal timbre comes to designate an essential part of our identity. Through voice, we perform who we are or who we want to be. Voice is a collective, cultured performance, unfolding over time, and situated within a culture. Sociology can help us explain how voice becomes the way it sounds.  Drawing from his observation of soldiers in World War I, Marcel Mauss described how people in different societies are brought up to walk, stand, sit, or squat in very different ways. Similarly, Pierre Bourdieu showed in La Distinction how the tone of one’s voice, the habit to speak from the tip of one’s mouth or from the depth of one’s throat, is influenced by social class and status and correlates with other social practices such as eating or engaging in cultural activities. Nina Eidsheim extends these observations on bodily techniques and cultural styles to the ways everyday vocal training is manifested corporeally and vocally. More importantly, she shows that voice does not arise solely from the vocalizer; it is created just as much within the process of listening.

Disciples of the Greek philosopher Pythagoras used to listen to their master from behind a veil in order to better concentrate on his teachings. If an “acousmatic sound” designates a sound that is heard without its originating cause being seen, the “acousmatic question” is raised when one asks who is the person we hear singing or talking without seeing him or her. It is assumed we can know a person’s identity through the sound made by his or her voice: using aural cues, we can guess the age, gender, and ethnicity of the person with only a limited margin of error. From this on, we infer that the voice can give us access to interiority, essence, and unmediated identity of the person. To have a voice is to have a soul, and to hear a voice is to access the soul. Nina Eidsheim shows that this belied of voice as an expression of the true self is based on an illusion: the listener projects onto the voice an individual essence and a racialized identity of his or her own making. In order to dispel that illusion, and to debunk the myth of essential vocal timbre, she offers three postulates that sustain her analysis of voice as critical performance practice. Voice is not singular; its is collective. Voice is not innate; it is cultural. Voice’s source is not the singer; it is the listener. Armed with these three basic tenets, she provides many examples by which we answer to the “acousmatic question” and project a racialized identity on a voice we consider as “black.”

National schools of singing

Classical vocal artists undergo intense training, much of which is dedicated to learning to hear their own voices as the experts hear them. Classical vocal pedagogy is built upon the assumption that it is possible to construct timbre, and national schools of singing have different ways to shape a voice into a distinctive artistic performance. The difference between classical renditions of the same song, Lied or opera in Paris, London, Vienna, or Moscow has nothing to do with the race or place of birth of the singer and is entirely based on the way the singer was schooled and trained to perform. For instance, as Eidsheim notes, the French school of singing insists on the “attaque,” a very strong beginning that is created by a powerful inward thrust of the abdomen. The result is a held sound that is slightly above pitch, with a pushed and sharp-sounding phonation. Singing the French repertoire requires not only a familiarity with the numerous French liaison rules and constant vowel flow within and between words, which a French lyric diction coach can provide, but also a mastery of the attaque and other singing techniques that the French classical tradition has developed. But classical voice teachers also believe each voice has to sound “healthy,” “authentic,” and “natural.” This is where race comes in: most teachers, particularly in the North American context, believe they can always tell the ethnicity of the singer by his or her vocal timbre, and train their students to cultivate what they call their “ethnic timbre” or “unique color.” An ethic of multiculturalism has penetrated vocal pedagogy: some specialists go so far as to criticize ignorant teachers who have not been exposed to a variety of racial timbres for “homogenizing” their students’ voices. Making racial judgments on voice becomes a self-fulfilling prophecy: for performers, teachers, and listeners alike, voice begins to be heard through racial filters and categories.

For most of their history, opera houses in the United States have been exclusively white. Desegregating classical music took time and effort, and black singers had to overcome many obstacles and prejudices. Segregation prohibited African American singers from taking lessons with white teachers or singing in integrated contexts. Those who performed classical music had to share the same spaces and the same programs with the minstrel repertoire, burlesque shows, and negro spirituals. It was difficult, if not impossible, for those performers to advance their careers without reinforcing stereotypes. The first African American singers to perform classical repertoire for large interracial audiences drew a great deal of attention to their blackness. They were given nicknames such as “the black swan” or “the black Patti,” and their voices described as “husky, musky, smoky, misty,” retaining their “savage character” and imbued with the “sorrow of their race.” A surge of African American operatic divas triumphed on the stage during the 1970s and 1980s, breaking the “Porgy and Bess curse” that had relegated their predecessors to singing only a limited part of the repertoire. But even now, singers do not come to the operatic musical tradition on an equal footing. There is resistance toward casting African American tenors as romantic lead characters, and also at creating interracial romances portrayed on stage. It is easier for African Americans to succeed as baritones or basses because the roles written for these vocal types are typically villains. Visual blackness is projected onto auditory timbre, resulting in the perception of sonic blackness. The world of opera is based on the willing suspension of disbelief: the tenor may be too fat, the soprano dowdy and old, and yet the audience accepts what is on stage as a plausible fiction for the sake of enjoyment. But what if Othello isn’t black, or if the Romeo and Juliet couple is interracial?

Projections of identity

Audiences “hear” race when they see a black person singing; they also perceive gender and other markers of identity. It is often believed that a feminine voice is higher in pitch than a masculine one. In fact, there is a considerable area of overlap between male and female voices. And timbre plays a key role in the gendered reading of voice: it is how voices are colored and timbrally mediated that determines whether they are perceived as male or female. Nina Eidsheim illustrates the importance of audiences’ projections of gender categories by taking up the life of Jimmy Scott, an artist who defied categorization. Scott didn’t fit the model of the African American male jazz artist. He was born with a hormonal condition that prevented his voice from changing at puberty. The condition also stopped Scott’s body from growing after the age of twelve. “Little Jimmy Scott” achieved early commercial success but then suffered from a long period of oblivion and was rediscovered by audiences and the music world when he reached old age. Although he always described himself as “a regular guy,” he transcended gender distinctions, thus becoming uncanny, transgressive, and ripe for projection, misidentification, and dismissal as burlesque or play. On many occasions, record covers didn’t feature his picture or give credit to his artistry, and his “neutered” voice was detached from any particular gendered body. When he did appear under his own name, his unique identity was doubled by identities and significations not his own. He was perceived as a masculine woman, a homosexual, a transsexual, or a freak. Listeners participated in the co-creation of Scott’s voice and overall gender identity by projecting familiar stereotypes onto a complex artist.

Audiences project a gendered and racialized identity onto a voice, thereby changing the perception of the performer’s artistry. But racializing voice is not reserved for the human voice: the popular discourse about the “race of sound” is equally present in the digital realm, where voice is converted into zeros and ones. Nina Eidsheim examines the case of the vocal synthesis software Vocaloid that enables songwriters to generate singing by simply typing the lyrics and music notes of their composition, then choosing a “vocal font” to interpret their tune. While Vocaloid is far from the first voice synthesis program, it was the first specifically created as a commercial, consumer-oriented music product. Fan-based communities formed around the voice characters that the software enabled and that were given Christian names such as LOLA and LEON or MIRIAM by the producing company Yamaha. But while LOLA was marketed as a black soul singer’s voice and used samples from a Jamaican artist, users didn’t hear her voice as “black.” Instead, the sound character was described as “a British singer with a Japanese accent” who “lisps like a Spaniard,” and the use of the vocal font fell mostly outside the register of soul music. Vocaloid-created music feeds into YouTube channels with anime character illustrations, even though the original font characters have been “retired” and are no longer commercially available. The anime genre allows for a post-racial representation of facial traits, immersed in an Asian imaginary of misty eyes and colorful hair. Subsequent Vocaloid characters such as Hatsune Miku have transformed into “platforms people can build on,” and their hologram projections are displayed in live concerts where cosplay fans don the attire of their favorite characters. The genie has definitely escaped the racial box its creators designed for it.

I have a dream

The Race of Sound is built on a strong assumption: voice in itself is neither black nor white, and the projection of race takes place in the ear of the beholder as much as it is shaped by the entrainment of the vocalist into speaking or singing communities. The perpetuation of racialized vocal timbre goes a long way in explaining the entrenched nature of structural racism in our societies. As Nina Eidsheim underscores, “For every time that Holiday is heard as and reduced to the archetypal tragic black woman, people are turned away from jobs or housing opportunities based on reductions of their voices to assumed nonwhite identities.” But judging about the nature of voice goes much deeper and is based on fundamental beliefs about sound and listening. We practice the “cult of fidelity” by assuming that sound and vocal timbre are stable and knowable, and we project onto the sonic world fixed categories that shape our perception and representation of what we hear. Therefore, to debunk myths about race as an essential category, one must deconstruct the way we think about sound, music, and listening. This will not only allow us to become more enlightened listeners, but also uphold the status and skills of sound performers. More than stereotypes about the tragic lives of black women, it was style and technique that allowed Billie Holiday to bring dignity, depth, and grandeur to her performances. Understanding vocal timbre as an expression of skill, artistry, and communicative intention will help us appreciate the performance of great artists by judging them not by the color of their skin but by the content of their creative ability.

Art-and-Technology Projects

A review of Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde, John Beck and Ryan Bishop, Duke University Press, 2020.

Technocrats of the ImaginationThere is a renewed interest in the United States for art-and-technology projects. Tech firms have money to spend on the arts to buttress their image of cool modernity; universities want to break the barriers between science and the humanities; and artists are looking for material opportunities to explore new modes of working. Recent initiatives mixing art, science, and technology include  the Art+Technology Lab at LACMA (Los Angeles County Museum of Art), MIT’s Center for Art, Science, and Technology (CAST), and the E.A.T. Salon launched by Nokia Bell Labs. In their presentation documents, these institutions make reference to previous experiments in which artists worked with scientists and engineers in universities, private labs, and museums. LACMA’s A+T Lab is the heir to the Art&Technology Program (A&T) launched in 1967 by curator Maurice Tuchman with the involvement of the most famous artists of the period, such as Andy Warhol, Claes Oldenburg, Roy Lichtenstein, and Richard Serra. MIT was the host of the Center for Advanced Visual Studies (CAVS) founded in the same year by György Kepes, who had previously worked with László Moholy-Nagy at the New Bauhaus in Chicago. Bell Labs is where scientist Billy Klüver launched Experiments in Art and Technology (E.A.T.) with Robert Rauschenberg in late 1966. Technocrats of the Imagination tells the story of these early initiatives by replacing them in their intellectual and geopolitical context, exposing in particular the link with Cold War R&D and the rising influence of the military-industrial complex. The contradiction between an anti-establishment cultural milieu denouncing technocratic complicity with the Vietnam war and a corporate environment where these collusions were left unchallenged led these art-and-technology projects to their rapid demise. Modern initiatives operate in a different environment, but unquestioned assumptions may lead them to the same fate.

Creativity, collaboration, and experimentation

Why should artists collaborate with scientists and engineers? Then and now, the same arguments are put forward by a class of art curators, tech gurus, and project managers. The art world and the research lab are both characterized by a strategy of continuous innovation, collaborative experimentation, and disciplined creativity. They tend to abolish the boundaries between theory and practice, knowing and doing, individual inspiration and collective work. These tendencies were reinforced in the context of the 1950s and 1960s: in an age of big science and artistic avant-garde framed by integrative paradigms such as cybernetics and information theory, the artist and the engineer seemed to herald a new dawn of democratic organization and shared prosperity. The artist defined himself as a “factory manager” (Andy Warhol) and did not hesitate to don the white coat of the laboratory experimenter. The scientist was engaged in much more than the accumulation of scientific knowledge and science’s contribution was vital for the nation’s wealth and security. Both worked under the assumption that science could enlarge democracy and support the United States’ place in the world, and that American art should be considered on an equal footing with other professional fields of activity. But the shared virtues of creativity, collaboration, and experimentation covered profoundly different ideas of what those terms might mean and how they should be achieved. The conception of experimental collaboration in the arts was heir to a liberal tradition of educational reform emphasizing free expression and self-discovery. By contrast, innovation and experimentation as understood by institutions training and employing scientists followed a model of elite expertise and top-down management. They were also heavily compromised, as John Beck and Ryan Bishop emphasize, by their ties to the military-industrial complex.

Beck and Bishop place the genealogy of the three art-and-tech initiatives under the influence of two currents: John Dewey’s philosophy of democracy and education, and Bauhaus’ approach to artistic-industrial collaborations. The influence of John Dewey over the course of the twentieth century cannot be overemphasized. More than any other public intellectual, Dewey shaped and influenced debates on the relations between science, politics, and society in the United States. His principles of democratic education emphasizing holistic learning and the study of art were applied in Black Mountain College in North Carolina, a liberal arts education institution that left its imprint on a whole generation of future artists and creators (Robert Rauschenberg, Cy Twombly, John Cage, Merce Cunningham, Ray Johnson, Ruth Asawa, Robert Motherwell, Dorothea Rockburne, Susan Weil, Buckminster Fuller, Franz Kline, Aaron Siskind, Willem and Elaine de Kooning, etc.) The influence of Dewey’s pragmatism extended beyond the US, notably among German educational reformers, and his notion of “learning by doing” was picked up by the Bauhaus, a German art school operational from 1919 to 1933 that combined crafts and the fine arts. In return, Bauhaus furnished Black Mountain College with émigrés educators—Josef and Anni Albers, Xanti Schawinksy, Walter Gropius—and an utopian vision of a post-disciplinary, collectivist education that did not favor one medium or skill set over another. Bauhaus’ afterlife and legacy in the United States also manifests itself in the trajectories of Bauhaus veterans László Moholy-Nagy who created the short-lived Chicago School of Design in 1937, and György Kepes, who taught at MIT and ended up creating the Center for Advanced Visual Studies (CAVS) in 1967.

Bauhaus in America

It was Moholy-Nagy who originated the idea to stimulate interactions among artists, scientists, and technologists in order to spearhead creativity and innovation. His Hungarian compatriot and associate at the School of Design took the idea to the MIT, an institution whose motto mens et manus (“mind and hand”) echoed Dewey’s and Bauhaus’ devotion to “learning by doing” and “experience as experimentation.” MIT was a full research-based science university awash with money from government contracts and military R&D. Research teams working on ‘Big Science’ projects included not just scientists but engineers, administrators, and technicians collaborating together in a structured manner. Kepes’ tenure at MIT between 1946 and 1977 was characterized by a commitment to science and technology and a belief in the virtues of the unintended consequences of chance encounters leading to breakthrough innovations. His interdisciplinary teachings were structured around the principles of vision, visual technologies, and their social implications. Many disciplines were mobilized, including Gestalt psychology, systems theory, physiology, linguistics, architecture, art, design, music, and perception theory. Transdisciplinarity, holistic approaches, and the eclectic mix of science, technology, and artistic disciplines was in the air in the late sixties and influenced the counterculture as well as artistic creation. The same eclecticism presided over the creation of CAVS, a center dedicated to all aspects related to vision and visual technologies. Drawing in important artists and thinkers, including many Black Mountain alumni, CAVS laid the groundwork for subsequent MIT ventures such as the influential Media Lab, founded in 1985 by Nicholas Negroponte, and the Center for Art, Science, and Technology (CAST). It was in such environment that experimental filmmaker Stan Vanderbeek pondered the possibility of creating an “electronic paintbrush” to complement the electronic pen used in early man/machine interfaces.

The industrial corporation, the research university, and the private lab were the three nodes of the military-industrial complex. Hailed by Fortune magazine as “The World’s Greatest Industrial Laboratory,” the Bell Labs’ research center at Murray Hill in New Jersey was conceived along the lines of a miniature college or university. The laboratories themselves were physically flexible, with no fixed partitions and rooms so that they could be partitioned, assembled, and taken apart at short notice. Bell Laboratories cultivated creativity and innovation: researchers working at Bell Labs were credited with the development of the transistor, the laser, the photovoltaic cell, information theory, and the first computer programs to play electronic music. The proximity of New York City, which had become the capital of the art world, and the presence of an arts college at the neighboring Rutgers University, facilitated the rapprochement between the scientific avant-garde working at Murray Hill and the contemporary art world. Artists and musicians were offered organized tours of Bell Labs as a mean of opening dialogue and providing a sense of how technology could be harnessed for artistic creativity. Early realizations include Edgar Varèse’s Déserts (1950-54), an atonal piece that was described as “music in the time of the H-bomb”; Jean Tinguely’s Homage to New York (1960), a self-constructing and self-destructing sculpture mechanism that performed for 27 minutes during a public performance in the Sculpture Garden of the Museum of Modern Art in New York; and Robert Rauschenberg’s Oracle (1962-65), a five-part found-metal assemblage with five concealed radios and electronic components now displayed at the Pompidou Center in Paris. Also influential was the 9 Evenings: Theatre and Engineering, a series of performances that mixed avant-garde theatre, dance, music, and new technologies. In 1967, the engineer and project manager Billy Klüver set up the Experiments in Art and Technology (E.A.T.), a collaborative project matching avant-garde artists and Bell Lab researchers that attracted the application of more than 6000 artists, scientists and engineers. But the project soon foundered due to poor management and lack of funds.

From New York to Los Angeles and to the world

Place matters for artistic innovation, as it does for scientific discovery and technological breakthrough. During the twentieth century, the center of the advanced art world shifted from Paris to New York. Yet there was also a marked increase in the geographic origins of innovative artists. When he became the first curator of twentieth-century art at the Los Angeles County Museum of Art (LACMA), part of Maurice Tuchman’s mission was to put LA on the art map as “the center of a new civilization.” He did so by partnering with business organizations to sponsor an Art & Technology exhibition in 1971, with the participation of high-profile artists such as Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Richard Serra, and Andy Warhol. But at that time public opinion had already shifted away from the technocratic model of corporate liberalism, and the exhibition was a flop. Another Californian experiment sponsored by LACMA was the creation of artist-in-residence positions at RAND and the Hudson Institute, two think tanks working mostly for the government sector and tasked with: “thinking about the unthinkable.” But the New York-based sculptor John Chamberlain and the conceptual artist James Lee Byars had a difficult time adapting to their new environment. The first sent a memo to all RAND staff stating: “I’m searching for ANSWERS. Not questions! If you have any, will you please fill it below”: the incomprehension was total, and the memo fell flat. The second set up a “World Question Center” and invited the public to submit any kind of questions that would then be answered by a panel of intellectuals, artists, and scientists. But as the two authors of Technocrats of the Imagination comment: “If Byars could have included Stein, Einstein, and Wittgenstein in his teleconference, what might they have been permitted to say, given the serious limitations of the format? An expert is an expert is an expert.”

Twentieth century art was advanced by new institutions on the art scene: the Salons and group exhibitions of independent art collectives, the private art gallery, the art critique magazine, the contemporary art museum, and the international art biennale. World exhibitions also played a key role in the globalization of advanced art, and the American presence in these global events often displayed art-and-technology projects. Billy Klüver and the E.A.T. program at Bell Labs engineered the American pavilion for the Osaka World’s Fair, Expo ’70, in partnership with PepsiCo. The RAND Corporation was pivotal for displaying US advanced technology abroad in exhibitions of science, urbanism, postwar visions of the future, and consumer society. The Eames Office, a design studio based in Venice, California, was commissioned to contribute to the USIA-sponsored US pavilion at the 1959 Moscow World’s Fair and the Montreal Expo ’67, and designed the IBM pavilion at the 1964 New York World’s Fair. The aim of these exhibitions was geopolitical: they were to display America’s might at its most spectacular, and to offer a glimpse of the future in which technology played a key part. They were conceived as artist-led immersive environments in the tradition of the Gesamtkunstwerk or “total work of art” of the Bauhaus, and played a pioneering role in the development of multimedia installations and video art. Charles and Ray Eames were “cultural ambassadors” for the Cold War representation of the United States, and their design creations aligned with the political agenda the US government wished to communicate. The Eames Office made important cutting-edge documentaries such as Powers of Ten (1968), a short film dealing with the relative size of things in the universe and the effect of adding or subtracting one zero, or Think (1964), a multiscreen film in a large, egg-shaped structure called the Ovoid Theater that stood high above the canopy and central structure of the IBM pavilion at the New York World’s Fair.

Corporate neoliberalism

John Beck and Ryan Bishop focus their analysis on the ideological underpinnings and geopolitical ramifications of these art-and-technology projects. They argue that, contrary to their forward-looking ambitions and futuristic visions, MIT’s CAVS, Bell Lab’s E.A.T., and LACMA’s A&T’s program were behind their times. In the late 1960s, antiwar sentiment had hardened public opinion against corporations and technology more generally. The positions of the scientist and the engineer were compromised by their participation in the military-industrial complex:  “science and technology had come to be seen by many as sinister, nihilistic, and death-driven.” The idea that US corporations could plausibly collaborate with artists to create new worlds of social progress was now evidence of complicity and corruption—technology was the problem and not the solution. The political climate made it impossible to justify what was now summarily dismissed as “industry-sponsored art.” In this politically charged context, art and technology projects had very little to say about politics, American foreign policy, or the Cold War in general. Technocrats of the Imagination concludes with a comparison between these late-1960s projects and recent reenactments such as MIT’s CAST, LACMA’s A+T Lab, and Nokia’s E.A.T. Salon. Contrary to their predecessors, these new projects operate in a neoliberal environment driven by private corporations in which the sense of dedication to the public good that animated scientists and artists from the previous generation has all but disappeared. As the authors argue, the recent art-and-tech reboot “cannot be separated from or understood outside the deregulated labor market under neoliberalism that has demanded increased worker flexibility, adaptability, and entrepreneurialism.” The avant-garde artist’s new partner is not the white-coated scientist or the lab engineer, but the tech entrepreneur who claims the heritage of counterculture to advance techno-utopianism and radical individualism. Their claim of “hippie modernism” and their appropriation of the 1960s’ avant-garde is based on historical amnesia, against which this book provides a useful remedy.

The Undercover Anthropologist

A review of Cold War Anthropology: The CIA, the Pentagon, and the Growth of Dual Use Anthropology, David H. Price, Duke University Press, 2016.

Cold War AnthropologyAgency is a key concept in anthropology and the social sciences, meaning the capacity of a person or a group to act on its own behalf. The agency that David Price has in mind in this book has a completely different meaning. It designates the Central Intelligence Agency, and it reveals the links during the Cold War between the anthropologist profession and the national intelligence and defense apparatus of the United States. Cold War Anthropology makes use of the concept of dual use: “dual use science” refers to the military applications of basic science research, while “dual use technologies” are normally used for civilian purposes but may help build weapons and military systems. Similarly, anthropology is a civilian pursuit that purports to increase our knowledge of foreign cultures and societies, but it can be used for defense and security purposes: Know thy enemy has been a basic recommendation since mankind engaged in warfare and diplomacy. Intelligence, the gathering of information on foreign powers, makes use of various academic disciplines; it is only natural that anthropology, which developed alongside colonialism and followed the ebbs and flows of imperial powers, also lent itself to militarist uses. And nowhere was the demand for such knowledge higher than in the United States during the Cold War, which saw the dominant world power engage in the gathering and analysis of information in all corners of the world.

The Agency’s agency

Dual use anthropology was an offspring of World War II. During the war, cultural anthropologists worked as spies, educators, cultural liaison officers, language and culture instructors, and strategic analysts. In a previous book, Anthropological Intelligence, David Price documented American anthropologists’ contribution to the conduct of the war and the consequences their collaboration in war projects had over the course of the discipline. Cold War Anthropology picks up the ball where the previous book left off. Former members of OSS service who returned to university positions after the war kept their connections with the intelligence apparatus and helped the CIA and other agencies recruit new hires and gather information. By the mid-1970s, it was estimated that as many as five thousand academics were cooperating with the CIA on at least a part-time basis. But anthropologists taking part in the counterinsurgency operations of the Cold War didn’t have the excuse of protecting freedom and democracy at home and abroad. Cold War insurgencies were America’s dirty wars and anthropologists, like the quiet American in Graham Greene’s novel, became complicit in illegal activities ranging from kidnapping, murder, covert arm dealing, and coup d’état to the widespread infiltration of domestic academic institutions. Most of them were “reluctant imperialists” who believed they engaged in apolitical or politically neutral work, while some, including Clyde Kluckhohn and Clifford Geertz, developed “dual personalities” that allowed them to work on projects with direct or indirect connections to the CIA or the Pentagon while omitting such links from the narratives of their research.

David Price draws a typology of the relationships between anthropologists and the intelligence apparatus as a two-by-two matrix: relations could be witting-direct, witting-indirect, unwitting-direct, and unwitting-indirect. The first case represents the anthropologist-as-spy or as operative working for the US government. In a few instances, cultural anthropologists and archaeologists used fieldwork as a cover for espionage. Through access to declassified archives, the author was able to document a few cases of undercover agents who used their participation in research missions in Afghanistan, in Iran or in other hot spots to gather intelligence, provide support for special operations, and recruit informants. Not all anthropologists worked undercover, however. During the period, advertisements for military, intelligence, or State Department positions routinely appeared in the News Bulletin of the AAA, the discipline association’s newsletter. Some anthropologists moved between the government and the academy: Edward T. Hall, the founder of cross-cultural studies, taught cultural sensitivity training courses at the State Department’s Foreign Service Institute, while John Embree, the author of the first monograph on a Japanese village, became the first cultural relations adviser at the US Embassy in Bangkok in 1947 (they both objected to the use of academic research by the CIA.) Other anthropologists held CIA desks or maintained close contacts with the agency for recruitment, contract work, and data gathering. More generally, many anthropologists accepted as a matter of routine to debrief at Langley or within the precinct of the US Embassy when returning from fieldwork in sensitive areas.

Witting-indirect or unwitting-direct collaborations

The second model of anthropology-intelligence collaboration, implemented in full knowledge of it but in an indirect manner, refers to the way research was funded in the Cold War era. Rockefeller, Carnegie, Ford, and other private foundations shaped the funding of anthropological research during the Cold War. These wealthy private institutions were often directed by elite men rotating in and out of federal agencies with national security interests. They channeled the funds and designed research projects in ways that coalesced with CIA’s needs and foreign policy imperatives. This increasing availability of foundation funding was welcomed by anthropologists, who seldom considered what obligations might accompany such gifts or how the gifts might shape avenues of inquiry or analysis. Anthropologists working on research projects funded by private foundations deliberately or sometimes half-wittingly ignored the political contexts in which the projects were embedded. Clifford Geertz, who participated in the Modjokuto Project in Indonesia, turned a blind eye to the political forces that framed his first fieldwork opportunity. In later analyses, the development of area studies in American and Western Europe universities was connected to the Cold War agendas of the CIA, the FBI, and other intelligence and military agencies. Critics alleged that participating in such programs was tantamount to serving as an agent of the state. While cases of collaboration between academia and the intelligence apparatus must be assessed carefully, it is true that some research questions were prioritized and other were neglected, while geographic priorities aligned with geopolitical interests.

The third form of linkage between academic research and foreign policy-making occurred unbeknownst to the anthropologists but with direct interventions from intelligence agencies. In addition to reputable private foundations, the CIA used “paper foundations” or “pass-through” conduits to channel funds toward research without leaving footprints. The recipient individual or academic institution that received CIA funding from either a front or a conduit was generally not aware of the origin of the research grant. The funding of particular projects shaped disciplinary research agendas. The CIA also used fronts to secretly finance the publication of books and articles propagating its views, or supported journals that took a critical stance on communism and left-wing politics, such as Jiyū in Japan, Encounters in Great Britain, or Preuves in France. Some of the books were donated by US Embassies abroad or, in some cases, sold through local retailers. When these CIA-funded foundations were exposed by investigative journalists in the late 1960s, the reaction was surprisingly moot. Art Buchwald jokingly remarked the reason why the National Student Association received a CIA grant was because the organization was confused with the NSA. The Asia Foundation acknowledged CIA funding while claiming that this didn’t in any way affect the content of its policies and programs. With much soul-searching and political bickering, the American Anthropological Association adopted a code of ethics stating that “constraint, deception, and secrecy have no place in science.” Radical young scholars dubbed it too little too late, and formed a new caucus named Anthropologists for Radical Political Action, or ARPA, to push for further reforms.

Dual use anthropology

The fourth cell in the quadrant refers to unwitting and indirect forms of collaboration between anthropologists and spy agencies. The CIA’s method of harnessing the field research of others was not always manipulative. Ethnographic knowledge was in high demand by military and intelligence agencies during the Cold War, and many operatives learned their cues by perusing through the works of anthropologists. Participant observation’s approach to cultural understanding gave anthropologists the sort of cultural knowledge that made the discipline attractive to government officials willing to probe the hearts and minds of those living in lands of geopolitical interest. Anthropological field research sometimes facilitated intelligence operations by nonanthropologists through knowledge of the human terrain, understanding of social dynamics, and manipulation of power struggles. In other cases, it was used in human resource training programs to prepare for a foreign posting or develop culturally sensitive lenses of analysis. While much of the research funded in the postwar 1940s and throughout the 1950s aligned well with the needs and ideologies of the American Cold War state, in the 1960s and 1970s radical voices used these same funds to generate their own critiques. But postmodern anthropology was less relevant for practical concerns and fell out of favor with literate diplomats, military officers, and spies. Militarized uses of anthropology continued through other channels, such as the rise of private consultancies or the deployment of social scientists in combat teams.

According to David Price, the deleterious effects of dual-use anthropology were manyfold. False accusations of spying could put the fieldwork anthropologist in danger, expose his or her informants to various threats, and lead to expulsion or denial of access to the field. It was common for American anthropologists during the Cold War to be falsely suspected of spying. As mentioned, it was also routine for anthropologists returning from fieldwork to receive requests for debriefing in US Embassies or back home. Through witting or unwitting collaboration, direct or indirect solicitations, and dual-use research, the CIA’s ethical misconduct hinged on lying to the scholars about the origin of the grant money they received, the end use of their research results, and the choice of research priorities. Particularly in the context of the Vietnam war, anthropological research sustained counterinsurgency operations, the mobilization of highland tribes in armed conflicts, population regroupment in strategic hamlets and, arguably, the design of interrogation methods. David Price documents several cases of military applications of ethnographic research in South-East Asia, as well as the strong reaction of the profession to ban any form of collaboration with the military-intelligence apparatus. But he believes that many of the fundamental issues raised during this period remains unresolved. On the contrary, the conjugation of limited employment possibilities, growing student loan debt, and campus austerity programs are opening new inroads for the extension of military and intelligence forays in anthropological circles.

No Such Agency

Cold War Anthropology claims to break new ground in exposing the links between the anthropology profession and the national security apparatus. Although the author had to rely on the Freedom of Information Act to obtain declassified documentation, he doesn’t reveal state secrets or expose skeletons in the profession’s closet: for the most part, these links were hidden in plain sight. The collaboration between anthropologists and the intelligence service was an open secret. It is not obvious that the gains obtained by the intelligence community were worth compromising the integrity of scholars: the information that the CIA obtained from the AAA or the Asia Foundation, such as the detailed roster of American anthropologists or the names of Asian area specialists, would today be gathered in a few seconds through an Internet search. Similarly, the patient gathering of photographs indexed and catalogued to yield intelligence information would pale in comparison with modern satellite imagery or the harvesting of social media content. David Price’s aversion toward the CIA and the FBI also extends to the military and to the diplomatic service: he includes the State Department and USAID in the circle of Cold War institutions, and doesn’t clearly discriminate between covert operations and legitimate governmental activities. Similarly, he conflates anthropology and archeology, and bundles all fieldwork-based social sciences in one fell swoop. Meanwhile, the NSA gets no mention at all, except when it gets confused with the National Student Association—confirming the legend that the NSA was so secret its acronym stood for “No Such Agency.”

Shattered Bodies and Broken Minds

A review of After War: The Weight of Life at Walter Reed, Zoë H. Wool, Duke University Press, 2015.

After WarIt is said that Americans don’t have social security. Soldiers do. Earnings for active duty military service or active duty training have been covered under the Social Security Act since 1957. Veterans get social security benefits after they are discharged. Military service members who become disabled while on active duty can file for disability claims. The social security system also covers families and relatives of a deceased soldier. Active duty military members can retire after twenty years of active duty service. In exchange, they receive retirement pay for life. Veterans get free or low-cost medical care through VA hospitals and medical facilities. They have access to special education programs, housing and home loan guarantees, job training and skills upgrading, small business loans, and even burial and memorial benefits. Their situation contrasts with the thirty million Americans who do not have health insurance and who cannot afford medical costs, and with the many more who get only minimal retirement pension and healthcare. In sum, when you join the US Army, Uncle Sam gets your back covered.

Fieldwork and care work

But being a soldier in a warlike nation comes with a high risk. Wars waged abroad bring home their lot of shattered lives, broken bodies, and crippled minds. These are the lives and bodies that Zoë Wool encountered while doing fieldwork at Walter Reed Army Medical Center in Washington DC. Her book begins with a seven-pages lexicon of abbreviations and acronyms, from ACU (Army combat uniform) to VA (Department of Veterans Affairs). Any person who has approached a military administration will recognize the heavy use of jargon and code words that puts a distance between those in the know and the civilians outside. But the dehumanizing aspect of military language is soon countered by the vivid portraits from the gallery of characters that the reader encounters. Zoë Wool makes the book’s purpose and design clear in the introduction. Readers won’t find reams of statistics, or dates and facts arranged in a linear history, or the description of the running and functioning of an institution. Neither will they hear a vocal denunciation of the US military-healthcare complex. Although the author did some work with Iraq Veterans Against the War (IVAW) and attended congressional hearings related to the “war on terror,” her book centers on the lives of those with whom she spent time at Walter Reed.

Fieldwork, or spending time with people in order to answer research questions, is “the thing anthropologists do.” But the term “fieldwork” does not necessarily describe the kind of work researchers like Zoë Wool are engaged in. “Emotional work” or “caring” may be closer to what she actually did, although she wasn’t a caregiver or didn’t try to pass as such. But she cared about the people she encountered at Walter Reeds in a deep and emotional way. Whenever she could, she gave them a hand and helped them to do small things, she registered their ordinary thoughts, or lent an ear to their silence. Asked about the purpose of her research, she often said: “I just want to see what life is like here for you guys.” She wasn’t there to listen to their stories, for they had no stories to tell. Their broken bodies did the talking: missing limbs, infected bones, colostomy bags, catheters, intravenous lines, wheelchairs, and numbing medication. As for themselves, their experience and memory of the war theater was shattered and broken into pieces. Talk of war rarely took narrative form. Injured soldiers were often prompted to talk about their combat experience with visiting journalists and well-wishers, but the anthropologist didn’t add to their burden and ask them about this “asshole of a place” that was Iraq. They preferred to keep silent, and she respected that.

The most warlike people on earth

Life at Walter Reed follows very American norms. US soldiers and veterans swear only by nation, mother, and apple pie—or rather by country roads, girlfriend, and painkillers. A feeling of ordinariness permeates every situation in a place that nonetheless falls out of the ordinary. The fact that the patients are soldiers, and their injuries sustained during war, marks the situation in unique ways. Of course, Walter Reed has sheltered and treated other soldiers in previous engagements: Vietnam, Korea, World War II, and World War I. The United States is, after all, a bellicose nation, and Americans are the most war-prone people on earth if we judge by the twentieth century’s record. Heroism and patriotism have always been linked to the violence of war, and the image of the wounded soldier undergirds the national narrative of the United States. But this time was different. Injuries that were fatal in previous conflicts can now be healed or contained. A disproportionate number of soldiers were exposed to the blasting of IED or EFP (explosively formed projectiles) which have the purpose to maim and to cripple as much as to kill. These are the people that Zoë Wool encountered at Walter Reed. In addition to bodily injuries, they had to cope with PTSD, throbbing headaches, and the adverse effects of medication. Blown-up bodies can be stitched back; but broken minds can never be restored to normal.

The lives of injured soldiers at Walter Reed are characterized by an unstable oscillation between the extreme and the unremarkable, a balance the author calls “the extra/ordinary.” As she describes it, “Life was heavy and slow. Soldiers felt it in the excruciating sluggishness of each day. Hours died impossibly long deaths watching TV, playing video games, sleeping, smoking, nothing.” “Surprises were so expected you could almost see them coming.” Moments of intense boredom alternated with flashes of unbearable pain. People became fast friends without the preliminary step of getting acquainted, and they parted accordingly. While the atmosphere at the housing facility was made to recreate a “home away from home,” journalists and philanthropists popped in regularly, and people would get notes telling them Miss America will be making a visit. Publicity and patriotism saturated the place, with ubiquitous stars and stripes banners, yellow ribbons, and “support our troops” signs. Many patients hated going to special events for injured soldiers because doing so made them feel like a “charity case,” but they nonetheless accepted the invitation to be wined and dined by nation-loving benefactors.

Private donations and public support

Indeed, the mix of public support and private charity is what characterizes Walter Reed from the ground up. The housing facility in which Zoë Wool did her research, the Fisher House, is named after a married couple of benefactors who wanted to provide a living space for the spouses, parents and siblings of injured soldiers so as to recreate a form of family life. Each house functions as its own nonprofit organization and relies on the generosity of philanthropic organizations and individuals. Injured soldiers are never left alone: whether in the street or in their living room, grateful strangers come to see and meet and touch them in order to offer them thanks. The field of exchange in which soldiers are included is all at once moral, material, and affective. Claims about the sacrifice of injured soldiers are claims about the valuation of life and death in the context of America’s wars abroad. The deadly risk of soldiering is rendered sacred, and blood sacrifice is the measure the debt that society incurs. Soldiers do not always adhere to this moral economy: they do not see themselves as self-sacrificing heroes, and consider what they did on the war front as mere “work” or “a job”. Similarly, attending patriotic dinners, or accepting the grateful messages of strangers, is considered by them as part of their job.

The Fisher House at Walter Reed is also suffused with the ideology of the normative family. The institution was created to host the conjugal partners and close relatives of injured soldiers. It provides a space where couples can recreate a normal life before leaving to civilian residence. But normalcy can be elusive in the extra/ordinary context of Walter Reed. Soldiers typically married at a very young age shortly before getting enlisted, and never experienced married life as conventionally defined. Apart from their parents’ place, there was no place they could call home, a place where they used to reside and to which they could go back. Their injury and medical condition created new forms of dependency that raised specters of abandonment, isolation, and solitude. Families did not offer a refuge from the impermanence, instability, and boredom that characterized life at Walter Reed. They were torn by domestic violence, sexual frustration, or unwanted pregnancies. Soldiers held to intimate attachments like lifelines in a rough sea, while the material perks earned by their companion entered in the calculus of spouses who chose to love and to cherish for better and for worse. The pensioned veteran is the opposite of the single-mother “welfare queen”: social benefits and state support is what makes couples stay together.

The military-healthcare complex

Walter Reed General Hospital was built in 1908. It is the place American presidents visit to express the nation’s gratefulness to injured soldiers. It is also the place where Donald J. Trump got tested and treated for Covid-19. This mix of high politics and intimate care is what characterizes the military-healthcare complex. The expression “military-industrial complex” was coined by President Dwight D. Eisenhower to warn against the unholy alliance between the nation’s military and the defense industry that supplies it. Its medical equivalent raises another specter: that of a country in which a passage through the US Armed Forces is the only way to access decent living and healthcare for the disenfranchised classes. Military benefits are considered as the only legitimate form of social security. The welfare state is reduced to the warfare state. This dependency fuels an unending process of overseas wars and military entanglements. In her book, Zoë Wool doesn’t indulge in such social critique; but her deeply moving portrayal of shattered bodies and broken minds warns us of any temptation to consider homecoming soldiers solely as war heroes, victims of trauma, or bearers of patriotic pride.

US-Bashing, Anti-vax, Animalism

A review of Bioinsecurities: Disease Interventions, Empire, and the Government of Species, Neel Ahuja, Duke University Press, 2016.

BioinsecuritiesThis book can be read as an anti-American tract, or an anti-vaccine manifesto, or as a justification of anti-speciesism, or as an attack on liberal ideas of democracy, equality, and scientific progress. Of course, this is not the intention of the author. Neel Ahuja didn’t write a tract or a manifesto, but an elaborate social science book with deep theoretical repercussions. He is more descriptive than prescriptive, and his political message is not spelled out in detail. He situates himself in a progressive movement that is unconditionally anti-racist, feminist, and anti-war. But he doesn’t take position on vaccines, on animal rights, or on speciesism. His goal is not to provide simple answers, but to complicate things and deepen our vision of mankind and its living environment as some truths long held to be self-evident are losing political traction. However, liberal arguments can be used for very illiberal ends. As I read it, Bioinsecurities gives credence to very nasty arguments which, taken to their extreme, articulate a very anti-liberal and regressive agenda. Of course, some readers, and the author with them, may argue that it is perfectly fine to be anti-American, anti-vaccine, or to stand for a radical vision of animal rights, especially considering the background of brutal imperialism, public health manipulations, and disregard for non-human animals that have marked our common history and still inform our present. We should work against the public amnesia and state-endorsed manipulation of truth that prevent the public to exercise democratic oversight and make informed decisions on matters of life and death that affect us most. But an author also has to give consideration to how a book might be read or perceived. For me, Bioinsecurities dangerously straddles the line between liberalism and illiberalism, humanism and anti-humanism, and progressivism and regression.

Settlers and immigrants

By using the word anti-American, I don’t intend to convey a political trial on academic activities that would represent a threat to the security and identity of the nation: I am certainly in no position to do so, and I feel only repulsion for this kind of political justice. But I would like to gesture toward a tension that often inhabits post-colonial literature when applied to the United States. Was America a nation of settlers or of immigrants? For most historians, this is a matter of chronology: settlers came first, then immigrants moved in. But at what moment should one draw the line between first movers and late arrivers? Were Apaches and Navajo Indians any less settlers than Spanish conquistadors when they arrived from their native lands of Alaska to the vast plains of the American South-West, at about the same time that Christopher Columbus discovered the new continent? Is there a fundamental difference between the four grand-parents of Donald Trump, who were all born outside the United States, and the father of Barak Obama, who was born in and returned to Kenya? Bostonians, who pride themselves to be descendants of John Winthrop, are not different from the Latino-Americans freshly arrived from their barrio to populate the periphery of Los Angeles. Who is the first American of America first? Seeing America as a settler nation reactivates the myth of autochtony that is so corrosive to the social fabric of old and new nations, from Ivory Coast to the Netherlands, from Marine Le Pen’s France to Donald Trump’s America. It calls for radical measures and deadly solutions: recall the Pan Africanist Congress’ rallying cry, “one settler, one bullet,” or Franz Fanon’s contention that “killing a European is killing two birds with one stone, eliminating in one go oppressor and oppressed: leaving one man dead and the other man free.” The United States has long prided itself to be a nation of immigrants, welcoming the “huddled masses yearning to breathe free.” It would be a pity if it modeled itself after the countries of racial apartheid and colonial exploitation.

Neel Ahuja sees America as an empire and its inhabitants as a settler society. For him, imperialism is a racial endeavor that exerts itself upon people, but also natural habitats and non-human species, including microbial ones. White privilege, the benefits that whites claim over non-white people, is inseparable from the privilege of man as opposed to woman and of humans as distinct from other species. Bioinsecurities explores empire as a project in the government of species and the management of biological life. The author explains the persistence of empire long after settler societies have given way to established communities by a phenomenon he calls “dread life”, or the turn from colonial occupation and settlement to the management of bodily vulnerability and diseases. Fear of contagion was an integral part of imperial expansion, and settlers were literally obsessed by disease. They tried to circumvent it, to quarantine it, to vaccinate against it, to weaponize it, or to use if for further expansion. The “smallpox blankets” that decimated the native American Indian population have their modern equivalent in the infamous Tuskegee Syphilis Study, in which six hundred African American men were used to study the progression of syphilis and denied proper medical information, informed consent, or the known effective treatments. For Neel Ahuja, disease interventions are a form of biopolitics, defined as the ongoing expansion of government into life itself. He studies the way settler colonialism intervened in the government of species and the domestication of bodies in five outposts of the American empire: the Hawaiian islands at the time of Hawaii’s annexation, Panama under military occupation of the Canal Zone between the two World Wars, Puerto Rico where a colony of rhesus monkeys was established during the Cold War, Iraq as seen from war planners in the corridors of power in Washington, and Guantanamo which harbored “the world’s first HIV concentration camp” during the Haitian refugee crisis in 1991-94. Race played a key role in the interventions of the US security state, which inherited the settler mentality and extended it to new terrains.

Fear of contagion

The case studies presented in Bioinsecurities all illustrate the fear of disease contagion and of racial intermingling that accompanied America’s expansion beyond its continental borders. Indigenous Hawaiians diagnosed with leprosy were segregated in quarantine camps on the island of Molokai and denied basic legal rights, while outbreaks of Hansen’s disease in the north central states of the United States (at times associated with Scandinavian immigrants) never attracted much public attention. Afro-Caribbean women involved in the sex trade in the Panama Canal Zone under US administration were arbitrarily arrested and tested for syphilis or gonorrhea and sentenced to hospitals for enforced treatment if tested positive, while US soldiers were only invited to “self-regulate” through moralizing and racially charged propaganda. The 1940s and 1950s witnessed a polio scare that led American scientists to import rhesus monkeys from India to Puerto Rico and harvest their bodies for vaccines, and the Iraq war had the US military prepare for a smallpox outbreak under the belief that Iraq had developed biological weapons and was ready to use them. Haitian refugees who tested HIV positive were segregated and imprisoned in Guantanamo during the years 1991-94. These are all shocking episodes, but should we read American history only through the lenses of “species wars”, “dread life”, and the “medicalized state of war” brought about by our modern bioinsecurities? The fact is that these cases rightfully provoke our moral indignation, as they did in the past when Jack London, who was both a socialist and a racist according to the author, visited “lepers’ island” and let the world know about the plight of Hansen disease patients in Hawaii. The history of the United States is by nature contested, and historians are right to point out sore spots and moral contradictions. But I don’t believe it can be reduced to the story of a security state bent on implanting settler exploitation in its imperial conquests.

In the wake of the animal rights movement and the development of animal studies as an academic field, new words have entered our vocabulary. “Speciesism” gives greater moral rights and value to human beings than to non-human animals. By contrast, “anti-speciesism” considers that this discrimination is unfounded and militates for its abolition. For animal rights advocates, speciesism is a prejudice similar to racism or sexism, in that the treatment of individuals is predicated on group membership and morally irrelevant physical differences. Their claim is that species membership has no moral significance. For their opponents, assigning the same moral value to all animal species is not just impractical, but ultimately absurd. Therefore, speciesism is unavoidable. Why, then, all the fuss about nonhuman animals and the moral obligations that we may have toward them? This shift reflects the influence of the radical critique of humanism and the rejection of anthropocentrism, voiced especially by the animal-rights movement and advocates of trans-humanism and post-humanism in popular culture since the 1990s. My point is not to discuss anti-humanism, animalism, or the rights of nonhuman animals. I know there are serious discussions out there, beyond the caricatures that each party draws of the opposing camp. Just because an animal is not a moral agent doesn’t mean that it cannot have rights or that moral agents can’t have duties towards them. Cruelty towards animals is clearly unacceptable; but so is violence condoned in the name of animal rights. And violence is a foregone conclusion for many animal rights advocates, who see the lack of public support for their cause as an added motivation to grab the headlines by spectacular action. Of course, supporting radical means and action is not the appanage of anti-speciesism, and one should not judge a cause by the violent actions of its most extreme elements. But comparing speciesism to racism or sexism—as many critics do in the name of intersectionality—or using words like “slavery” and “genocide” to describe the breeding and slaughtering of livestock, justifies in advance the most radical means. This slippery slope can only lead to hyperbolic conclusions.

Species wars

In effect, anti-speciesism or animalism usually concentrates its claims for right sharing to certain mammals, especially apes or non-human primates. On the book cover of Bioinsecurities, a rhesus macaque half soaked into water glances back at the viewer or the camera lens, with a gaze that can be read as angry, dissatisfied, or frustrated. This particular monkey is part of an imperial project: the import of 400 macaques from India to US-occupied territories in Puerto Rico to serve as guinea pigs for clinical research on poliomyelitis. In the name of producing polio vaccine, rhesus monkeys were, to use the author’s metaphor, “stabbed in the back” and inserted with spinal tap to extract polio serum. They were subjected to experimentations that would clearly fall outside what is now considered as proper and ethical laboratory norms. Could the antibiotic revolution have happened without animal experiments, and in particular primate vivisection? Before jumping to hasty conclusions, one should remember the crippling nature of polio disease, its devastating effects on children, and the public anxiety it generated. The argument made by the author that these fears of disease were themselves loaded with racial and class prejudice should in no way diminish the importance of biomedical research and vaccine production. In fact, Neel Ahuja shows that it is in the research labs and breeding stations that the modern categories of “almost human” primates and advanced sentient species originated. These categories “were less concerned with broadly questioning an anthropocentric hierarchy of species, and more involved with justifying vivisection on a mass scale.” They were the result of a complex history of Cold War politics, sovereignty claims, and ecological shifts that exceeded simple logics or science or profit. Rhesus monkeys imported from India to Puerto Rico for scientific use escaped their semi-free-ranging colonies and came to be viewed by many habitants as a pest. India protested the use of “sacred” species for biomedical research or nuclear testing and placed a moratorium on the primate trade. Regional primate research centers were established in many newly independent countries, giving rise to new disciplines such as ethology and primatology. Hollywood movies and urban legends fueled anxieties about interspecies intimacy and mad science experiments.

In place of the polio scare, new legends are emerging today about the proper role and effect of vaccines. The anti-vaccination (“anti-vax”) movement is a global phenomenon that has received a great deal of media attention. Anti-vaxxers usually don’t read or write social science dissertations and history books: they rely on word-of-mouth and social media to spread the message that the government and “Big Pharma” are colluding in a massive cover-up regarding the hidden dangers of vaccines. This has very serious public health consequences, as outbreaks of highly contagious diseases such as measles put vulnerable people, including newborn babies and people who have weakened immune systems, at great risk. My point here is not to discuss the positions of anti-vax propagandists (or “vaccine-hesitant parents,” as they prefer to describe themselves): I think that they are a menace to society, and that compulsory vaccine policies should be enforced. Any argument that reinforces their misinformation and conspiracy theories should be dealt with suspicion and care. This is why Neel Ahuja’s book is a matter of concern: he gives credence to arguments that identify vaccination policies with the police state, imperial endeavors, and neoconservative plots. Bioinsecurities’ introduction opens with two quotes relating to vaccine controversies: a 1905 legal opinion on Jacobson v. Massachusetts, a case of vaccine refusal that led to a well-publicized lawsuit, and an interview with Donald Rumsfeld in which the Defense Secretary assesses the risk of a smallpox epidemic in the lead-up to the Iraq war. Both cases are controversial: the Jacobson precedent was used to justify forced sterilization programs, and Donald Rumsfeld’s argument that Iraqis had developed biological weapons, including the variola virus that causes smallpox, proved to be unfounded. Although the author doesn’t make the link with modern vaccine controversies, the tainted nature of past “disease interventions” justifies skepticism towards modern public health policies.

Reductio ad absurdum

A good way to assess an argument is to push it to its logical extreme. To the argument about settler colonialism, one could ask: “You wouldn’t want to give it all back, would you?” In the case of America’s westward expansion, wouldn’t the Mexicans then have to give it all back to the Spanish, and then the Spanish to the indigenous populations they decimated, and then those peoples to the flora and fauna they displaced after crossing the land bridge from Siberia thousands of years earlier? The argument is absurd. Similarly, proselytizing vegans and animalists always have to face the argument that animals eat each other, and that even some pets require the death of other animals for their food. Anti-speciesism reasoning can be countered by the fact that insects, even bacterias and plants, can also be considered as sentient beings. Will we act accordingly, and with what consequences? These are some of the questions that may be raised after reading Bioinsecurities. The book’s main purpose is to describe the entanglement of human, animal, bacterial and viral bodies in the US project of imperial expansion over the course of the long twentieth century. But in doing so, it develops an anti-humanism that radically refutes the exceptional value of human life and democratic freedom and that gives credence to fringe arguments such as anti-vaccines. Some people may think that I read too much in this book and that I misinterpret its author’s real intentions. Others may argue that my own perception is biased, and that I am complicit in some conspiracy to justify US imperialism, denigrate animal rights advocates, and bolster the security state. Let me be clear: I don’t deny the interest of writing interspecies histories of American imperialism, paying tribute to those who resisted and paid the price of this imperial expansion, or documenting the cases of medical abuse in public health policies. But I worry that rather than inspiring its audience to protest against social injustice, this book may consolidate illiberal tendencies and a regressive turn in democratic governance.

Making the World Safe for Tourism in Asia-Pacific

A review of Securing Paradise: Tourism and Militarism in Hawai’i and the Philippines, Vernadette Vicuña Gonzalez, Duke University Press, 2013.

Securing ParadiseWhen she was a little girl growing up in the Philippines, Vernadette Vicuña Gonzalez considered American tourists and soldiers that she encountered or heard about as a benevolent presence. They were there to protect the land and to share their riches with a people in need of security and prosperity. This positive image was reinforced by the missionary schools founded by Americans, the remittances sent from abroad by relatives, the proceeds from commerce and military bases, and the endless stream of American movies and serials flowing from television. Later on, when her family emigrated to the United States, she would accompany her father to the Douglas MacArthur Memorial in Norfolk, Virginia, and share the gratitude held by many Filipinos for the general who liberated their country from Japanese occupation. For her, America was still the land of the free, a beacon of hope and opportunity for those seeking a better life beyond their own shores. But then she went to study at UC Berkeley and her worldview changed. She learned about the history of American imperialism, the gruesome stories of the Philippines-American war, the propaganda machine of Cold War politics, the complicity with authoritarian regimes, the destruction of the planet by the forces of neoliberalism, and the cynicism of exploitative raw power. Her homeland, the Philippines, became associated with the image of a puppet regime led by a dictator clinging to power with the backing of the US military. She applied the same critical lenses to the state of Hawaii and its populations after the was nominated as Associate Professor of American Studies at the University of Hawaii at Mānoa. For her, the Hawaiian archipelago was forced into the American fold at the end of the nineteenth century by a coalition of military imperialists, colonial planters, and migrant laborers who relegated the natives to subordinary status and even to cultural extinction. Being herself a nonnative in an adopted homeland, Vernadette Gonzalez purports to speak on behalf of the Native Hawaiians who should, however implausible it may sound, reclaim their sovereignty.

In the introduction, the author asks: “What alchemy transforms the terror of imperial violence and American postwar occupation to deeply felt understandings of American rescue, liberation, and benevolence?” One could raise the opposite question: how did a young girl raised in the spirit of America’s gentle embrace turn against a familiar presence and came to see it as a force of evil? How to explain this complete reversal, and what turned her from a believer of American kind-heartedness into a staunch critic of US malignity? Was it her studies in social sciences at UC Berkeley? And why did she choose to study at this university in the first place? Although she doesn’t give any biographical clues, I see three general reasons for this conversion: history, ideology, affect. These factors work both ways: the same historical, ideological and affective formations that explain Filipinos’ conversion to a myth of American compassionate guardianship also explain the anger, resentment, and challenge to the United States’ past and present imperial role. In a reversion of values, the soldier and the tourist can be seen alternatively as the Good American or the Ugly Yankee. Like a Janus-faced figure, the two characters are one and the same. He can be invited by his hosts to come home as a guest or, in the same movement, told to go home and depart. Thinking about tourism and militarism in Hawaii and the Philippines allows Vernadette Gonzalez to vent her anger against US imperialism past and present, and also to disavow the young girl who held hands with her father in American Pacific War memorials. In Securing Paradise, she applies critical lenses to analyze the history, ideology and affects sustaining the “military-tourism security complex” in the Philippines and in Hawaii.

Tourists and soldiers

In a way, the tourism industry is the opposite of militarization. Tourism is a peaceful activity, and tourists don’t go to war zones or to places exposed to the risk of insecurity. Unlike the soldier, the tourist doesn’t engage in violent or threatening behavior. He brings with him a camera, not a gun, and leaves behind dollars and trinkets, not bullets and explosives. The tourist is more often a ‘she’ than a ‘he’: a softer, warmer version of America’s presence in the tropics that stands in stark contrast to the masculine figure of oppression and threat. For Vernadette Gonzalez, the desires and economies of modern tourism are central to American military dominance in Asia and the Pacific. Tourism and militarism are mutually constitutive: both are part of am American project of domination and imperial outreach, and Hawaii and the Philippines form the first line of this concentric projection of power and sentiments. The roots and routes of the US military in these sites are foundational to tourist itineraries and imaginations. Tourism normalizes the presence of the military, prioritizes its needs, and disseminates a racialized and gendered idea of security. Both militarism and tourism rely on sedimented notions of colonized land and people (especially women) as waiting idly for their arrival, passively there for the taking. In many places, tourism has its roots in the militarized “rest and recreation” industry that thrived in the periphery of war theaters. The security that military bases provide is a fiction that starkly contrasts the reality of sexual exploitation and social insecurity that develops in the vicinity of army camps. The male tourist and the soldier both harbor voyeuristic and violent fantasies and usually turn their gaze against the bodies of women. For the author, many modern tourist sites are tainted by the illicit sexual economies and violence produced in rest and recreation sites of military occupation.

“Militourism” is designed as the activity fusing the two activities of militarism and tourism: making historic battlefields fit for tourism, creating memorials and museums to commemorate past military engagements, displaying military presence as a guarantee of security for foreign holidaymakers, or attracting active military personnel and retired soldiers to beach resorts and scenic sites. It also involves transforming former military bases into vacation sites and other sources of economic revenue, or building dual-use facilities and infrastructures such as scenic highways or helicopter landing platforms. In Asia and the Pacific, these “militourisms” take place on terrains that have long felt the impact of being objects of imperial desire. The first touristic explorations and adventures in the Pacific also doubled as military reconnaissance and imperial prospection. The image of the tropics as paradise was instrumental in justifying a policy of land grabbing and imperial expansion; it also served to lure young soldiers enrolling in overseas tours of duty. The world of the soldier and that of the tourist are often one and the same. The business of tourism benefits from the high drama of war: places like Pearl Harbor remain popular because war is at the core of America’s past and present identity. Likewise, the US military benefits from the glorification of American cultures of war that occurs in sites memorializing past military engagements. Gonzalez describes the activities of “remembering Pearl Harbor” at the USS Arizona Memorial or “playing soldier” on former US training grounds in  Subic Bay as emotional labor: the labor that it takes to shape a national myth that is instrumental to Hawaiian dispossession and to the Philippines’s subordination.

History, ideology, affect

History is at the heart of people’s ambivalent attitudes towards the United States. The history of Hawaii and of the Philippines can be told in two very different ways: one eliciting sympathy and hope, the other criticism and grief. One reason for the adherence to the myth of American benevolence in the Pacific is that its believers are served with a rosy picture of history. And one reason for their conversion to the message of “Yankee Go Home” is that they come into contact with a very different story. It is this black book of misery and sorrow that Gonzalez presents to her readers. As she notes, Hawaii before the annexation by the United States was a sovereign kingdom that was undergoing struggles for internal unification and also fighting off external attempts on its autonomy. Massive population decline following the arrival of European explorers and sailors had produced conditions for exploitation, dispossession, and cultural ethnocide. A coalition formed by white plantation owners, missionary elites, and the US Navy collaborated to roll back native sovereignty with the Bayonet Constitution of 1887, the overthrow of the monarchy in 1893, and the annexation of the islands in 1898, creating America’s first foothold in the Pacific. This history is paralleled by America’s expansion westwards and its collusion with the Spanish empire in the Philippines. The Spanish-American War of 1898 was soon followed by the Philippine-American War, a nasty and brutish conflict in which torture was used against the native insurgents. This brought the Philippines into the American fold, and allowed the US Navy to strengthen its presence in the Pacific. Indeed, Hawaii and the Philippines would share linked fates as part of the American chain of garrison islands.

American tourists and soldiers are served a version of history that stands in stark contrast with the unofficial narrative told in Securing Paradise. They visit landmark sites and museums that present a sanitized version of the United States’ imperial expansion in the Pacific. America’s presence in the Philippines is retold as a story of rescue, liberation, and sharing of riches. The US administration of the Philippines, from 1898 to 1946, and the period following the annexation when Hawaii became a US Territory, from 1989 to 1959, are characterized as a progressive era during which the United States implemented a benign and modern form of stewardship. The authorities undertook a slate of reforms, hygiene, education, and economic projects that uplifted the population and created sympathy even among former insurgents. For example, in the Philippines, the military took on projects such as road building and land clearing to rehabilitate its public relations, substituting promises of constructive colonialism and economic development to its recent history of brutality and oppression. But it is the Pacific War that sealed the fate of these two territories and anchored them in the grand narrative of the United States’ national history. For the American public, Hawaii and the Philippines remain forever associated with Pearl Harbor, Corregidor, and the Bataan Death March. The enduring narratives of masculine sacrifice and heroism in World War II constitute the framing through which the two archipelagos are imagined and understood. This history is made visible and concrete through memorial sites and scenic circuits that have become a magnet for tourists. In these sites, visitors pay their respects to the dead, take part in rituals of remembering, and celebrate a bond of brotherhood with American soldiers, sealed with blood and anchored in Cold War rhetoric. Pilgrimage to historical military sites is not the preserve of American tourists or local visitors: even Japanese tourists are invited to “Remember Pearl Harbor” or to discover Corregidor as the “Island of Valor, Peace, and International Understanding.” For the author, the fetishization of December 7 overwrites January 17, 1893—the day the Kingdom of Hawaii was overthrown and its native population dispossessed.

Neoliberalism and neoliberation

The second factor that has the strength to induce positive or negative attitudes towards the United States is ideology. For Gonzalez, militarism and tourism in Asia-Pacific embody the ideologies of neoliberalism and what she calls neoliberation. Since the departure of the US military from the Philippines, Subic Bay and Clark Base have been transformed into special economic zones under public-private partnerships and now operate as commercial and tourist hubs integrated into global circuits of capital, labor, and commerce. The “post-base” era has not put an end to military cooperation between the US and the Philippines: on the contrary, US forces benefit from an advantageous Visiting Forces Agreement, they participate in joint training operation with their Filipino counterparts, and they are at the vanguard of the fight against Muslim extremist groups the southern region of Mindanao. The US Army left the Philippines through the door and came back through the window of opportunity provided by the fight against terror. Just as the war theaters of the Pacific War were transformed into symbols of liberation from Japanese occupation and fraternal collaboration between Filipino and American soldiers, the discourse of neoliberation transforms the exploitative economies of predatory capital and imperial outreach into narratives of security and shared prosperity. American military occupation and economic hegemony are cast in the same heroic light that fuses the twin ideologies of neoliberalism and neoliberation. The “return” of the base properties to the Philippines are presented as evidence of American generosity; meanwhile, the American military continues to occupy and tour the Philippines, and foreign capital, bolstered by the structural adjustment policies dictated by the Bretton Woods institutions, benefit from zero taxation and rampant violation of basic labor rights in the Special Economic Zones.

Or at least this is how Vernadette Gonzalez presents it, based on her own biased ideology and slanted perspective in which the United States is cast as the villain and its policies as conspirational schemes to maintain neocolonial influence over its dominion. This is, in a way, a missed opportunity: because beyond the Pavlovian denunciation of neoliberalism as evil, Securing Paradise raises many important economic issues. There is indeed an economic case to be made about the links between militarism and tourism. Both activities stem from certain comparative advantages and resource endowments, like having a long and accessible coastal line to build bases and resorts. Both generate rents and drive domestic prices up, giving rise to a particular version of the Dutch disease. Both military bases and tourism resorts may be the only viable economic sectors in territories that are otherwise too far away from centers of capitalistic concentration. There are complementarities between the two activities, as when the soldier goes on vacation as a tourist or when tourism is made safe by the presence of soldiers. But there are also contradictions, especially when the local population becomes more educated and more prosperous than the soldiers posted in their midst. Beyond a certain threshold, tourism development holds more promises than military build-up. When they are consulted about their own destiny, local populations will aspire to transform their territories into islands of peace, as opposed to hosting bases of discontent. But these issues of territorial specialization and economic reasoning are not raised in this book. Instead, the author adheres to a primitive notion of economics-as-witchcraft, with neoliberalism as dark magic and the Bretton Woods institutions as wicked witches. I don’t know where Vernadette Gonzalez got her economics, but it’s certainly not from UC Berkeley’s economic faculty. Even the variant known as international political economy, taught in political science departments and exerting some influence on literary scholars, has more consideration for basic facts and logical explanations than her casual treatment of economic factors.

Combat boots clamping and digital cameras clicking in Asia-Pacific

A conversion is always an affective turn: from love and attachment to abhorrence and alienation, from warm feelings of joy and happiness to dark motives of grievance and hate. Sometimes this reversal of sentiments can be triggered by a traumatic experience or a dreadful event: as when a story of rape and sexual aggression by soldiers or tourists turn the local population against any foreign presence. For Vernadette Gonzalez, the defining moment may have been provided by the image of President Ferdinand Marcos and his wife Imelda leaving the Malacañan Palace and fleeing the country in US army aircrafts after having been ousted by the people. She also describes a traumatic scene that happened to her shortly after September 11, when she was faced with the barrel of a gun for having committed a small breach of security protocol in a tourist resort. For her, tourism and violence are intimately intertwined. In the eyes of local authorities and American strategists, tourists’ safety and comfort take precedence over the needs and aspirations of the local population. The US military wants to make the world safe for tourism. It prioritizes certain forms of mobility and border-crossing at the detriment of others. As a result it makes the world more insecure, not less, and exposes local populations to new risks and insecurities. Although Vernadette Gonzalez doesn’t explicitly formulate policy recommendations, the solutions that can be inferred from the author’s presentation should be resolutely de-colonial: let the US forces go home for good this time, severe the ties of dependance and domination that bind local populations and indigenous peoples in exploitative conditions, reclaim the sovereignty of native right-holders and democratic representatives, protect the environment from the encroachment of army bases and tourist resorts, and bring an end to the tourism industry’s deleterious influence on the social fabric of host nations.

One may or may not agree with these solutions; but they appear to me as severely out of sync with the present geopolitical situation in Asia-Pacific. As the author herself acknowledges, the region is increasingly becoming more insecure; and the blame cannot be put solely on the presence of US forces, less even so on the continuous flow of American tourists. Any person who has travelled in the region can attest that the majority of tourists are no longer Americans or Europeans. These new tourists, who may be followed by soldiers as in the previous historical sequences described for Hawaii and for the Philippines, bring with them different dreams and aspirations, and interact with local populations and the environment in different forms and modalities. They too are looking for a paradise to cherish and to hold, but their version of heaven is based on different cultural and political assumptions. (For a local version of the mix between militarism, exoticism and affect, I recommend the 2016 Korean drama series Descendants of the Sun and its local adaptations by Vietnamese and by Chinese television.) One should lend an ear to the growing sounds of army boots and tourist crowds in Asia and the Pacific: are they harbingers of a new era when the digital camera will prevail over the machine gun, or will they repeat past experiences on a larger and more devastating scale? This is why I find books such as Securing Paradise useful: they allow readers who come to them with an unjaundiced eye to enter the fabrique of sentiments, and they enable us to envision a future that may not be determined solely by militarized tourism and the touring of armies on and off duty.

Shock and Awe

A review of The Right to Maim: Debility, Capacity, Disability, Jasbir K. Puar, Duke University Press, 2017.

The Right to MaimTake the following affirmations. The main cause of disabilities worldwide is American imperialism. Israel wants to turn Palestinians into a population of cripples. Disability in Western societies is a reflection of white privilege. The production of disability is a policy objective. Debilitation—making people disabled—is a profitable venture. Disability is a privileged category that bestows rights and preferential treatment on its beneficiaries. Discourses of disability empowerment, pride, visibility and inclusion create disenfranchisement, precarity, invisibility, and exclusion as their constitutive other. Disability rights leads to the debilitation of a large number of individuals. Gay marriage is a reaffirmation of white privilege that was lost by being gay. Neoliberalism sentences whole populations to a condemnation of slow death. Who would subscribe to such absurd statements? Yet this is more or less what Jasbir Puar wants us to believe. She does so with great rhetorical skills and communicative persuasion. The bigger the fabrication, the better it works. Her strategy to convince the reader of these provocative affirmations can be broken down into three consecutive steps borrowed from the vocabulary of military operations: shock and awe, dazzle and confuse, swarm and saturate.

Shock and Awe, Dazzle and Confuse, Swarm and Saturate

Jasbir Puar first relies on the impact factor of a series of outrageous statements unleashed upon the reader in close succession. The goal at this stage is not to convince or to seduce, but to shock and to leave in awe. Examples of such statements abound: they are introduced right from the first pages of the book, as if to prepare the ground for the upcoming battle. Israeli Defense Forces have a logic of “creating injury and maintaining Palestinian populations as perpetually debilitated, and yet alive, in order to control them.” “What counts as a disability is already overdetermined by ‘white fragility’ on the one side and the racialization of bodies that are expected to endure pain, suffering, and injury on the other.” “The category of disability is instrumentalized by state discourses of inclusion not only to obscure forms of debility but also to actually produce debility and sustain its proliferation.” “Debilitation is caused by global injustice and the war machines of colonialism, occupation, and US imperialism.” “Debilitation is not a by-product of the operation of biopolitics but an intended result.” “I am arguing that debilitation and the production of disability are in fact biopolitical ends unto themselves.” “Disability rights solutions, while absolutely crucial to aiding some individuals, unfortunately lead to further perpetuation of debilitation.” “Part of how white centrality is maintained is through the policing of disability itself.” “The production of most of the world’s disability happens through colonial violence, developmentalism, war, occupation, and the disparity of resources—indeed through US settler colonial and imperial occupations, as a sign of the global reach of empire.”

All the above quotes come from the sixteen pages-long preface, which lays the ground for the shock and awe operation. They are presented in a categorical and assertive tone that brooks no discussion. The goal is to cause maximum confusion and disorientation in a minimum span of time. Critical faculties and plain common sense are numbed and silenced by the accumulation of reality-distorting statements. The use of overwhelming argumentative power and the display of rhetorical force will destroy the reader’s will to argue or find nuance. Military vocabulary tells it well: shock and awe is what the opening chapter purports to deliver. It is likely that the reader, having come to this book through reputation or advice, shares some of the proclivities and commitments of the author. But this heavy barrage of fire maximizes the initial distance with the author: Jasbir Puar’s writing style and political stance are upping the ante for most progressive and mainstream readers, making it clear that The Right to Maim is no ordinary pursuit. Reading this book will confront them with controversial ideas and radical viewpoints, so one better has to brace oneself, buckle up, and prepare for a tough ride. And indeed, the opening sentence of The Right to Maim’s preface interpellates the reader by shouting the injunction: “Hands up, don’t shoot!” This was, of course, the rallying cry of the Black Lives Matter campaign, along with the slogan “I can’t breathe!” taken after the last words of Eric Garner who was put in chokehold by a NYPD officer. These are in fact “disability justice rally cries,” argues the author who sees a convergence of struggles and intersectional politics along the need to resist the sovereign right to maim.

Withholding death while denying life

The next step in the battle plan conducted by the book is a charm offensive that will leave the reader dazzled and confused. The seduction of The Right to Maim operates at many levels. The first rule of the book’s attraction is the allure of style. Jasbir Puar writes in a clear and exacting fashion that demands a high degree of attention from the reader but that is in the end very rewarding. She situates disabilities in a semantic field that also includes debility, capacity, and their associated processes of disablement, debilitation and incapacitation. This conceptual triangle complicates the ability/disability binary: “while some bodies may not be recognized as or identify as disabled, they may well be debilitated, in part by being foreclosed access to legibility and resources as disabled.” Debility allows the text to “illuminate the possibilities and limits of disability imaginaries and economies.” It also allows the author to contribute to political theory by complementing the approach of biopolitics first proposed by Michel Foucault and epitomized in the maxim “to make live and to let die.” The necropolitics of Achille Mbembe rephrases this expression by adding the decision “to kill or to let live”, thus giving rise to four coordinates: making live, making die, letting live, letting die. For Jasbir Puar, the “license to kill” that the sovereign state grants itself is complemented by the “license to disable” or the sovereign right to maim. To the politics of life and death, she adds the politics of keeping barely alive, of making available for injury, of withholding death while denying life. This politics of “will not let die” is best identified with the role of the Israeli state vis-à-vis Palestinians in the occupied territories, but it also characterizes US imperialism as well as, in its most general expression, neoliberal capitalism. By taking the high ground of theory, and  adding a new development to the thought of none other than Michel Foucault, Jasbir Puar is able to rally the academic crowd and the intellectually-minded reader to her own radical agenda.

In addition to contributing to high theory, Jasbir Puar purports to explore the intersections and overlaps between various subdisciplines: disability studies, critical race studies, transgender and queer studies, postcolonial studies, to which she also adds affect theory, ecologies of sensations, “the fields of posthumanism, object-oriented ontology, and new materialisms.” These are all well-identified niches in the academic market: by touching upon them, and discussing the relevant authors and their most recent works, Puar makes sure her contribution will also be catalogued into each of these subfields, thereby gaining visibility and exposure. The result is often a tightrope exercise, as when she puts disability studies into dialogue with transgender studies—transsexualism was until recently catalogued as a “gender identity disorder,” while transsexuals often claim the health benefits associated with disability in order to support their bodily transformation. She quotes individuals with highly complex identities, such as a disability justice activist who identifies herself as a “queer, physically disabled Korean woman transracial and transnational adoptee,” not to mention the “trans women of color” who seems to be the main political subjects worthy of engagement. Puar engages critically with the notion of intersectionality, defined in the context of the convergence of struggles between feminist, LGBT, and ethnic minority movements. For her, “the invocation of intersectional movements should not leave us intact with ally models but rather create new assemblages of accountability, conspiratorial lines of flight, and seams of affinity.” Intersectionality often relies on an imaginary of social exclusion whereby the disabled person or the queer are supposed to be white and the racialized other is straight. For Jasbir Puar, one should clearly identify the ally and the enemy: she multiplies attacks against American imperialism, neoliberalism, and sionism, and underscores that her agenda is “unequivocally antiwar, pro-labor, antiracist, prison abolitionist, and anti-imperialist.” She concludes her book by stating that “the ultimate purpose of this analysis is to labor in the service of a Free Palestine.” Disability justice or LGBT rights must be embedded in this political agenda and contribute to its advancement: otherwise, they are a masquerade and serve only to whitewash (or “pinkwash”) the oppressive politics of the neocolonial state.

What happens after human rights have been bestowed

Part of the confusion caused upon the reader comes from the fact that Jasbir Puar directs some of her harshest criticisms against the basic tenets of progressive liberalism. She notes that her book “is largely about what happens after certain liberal rights are bestowed, certain thresholds or parameters of success are claimed to have been reached.” What is left of policies of human rights when rights have been granted and are universally recognized? First, discourses on rights create what is known in development circles as the last mile problem: there are always rights-bearers and potential beneficiaries that are harder to reach and to include into policies of empowerment and capacitation. For instance, people with mental and cognitive disabilities, or people stuck in a vegetative state, are often not considered in disability justice campaigns and continue to be the most marginalized of people with disabilities. Or the right to protest—a right that is held very dear by Jasbir Puar—supposes that street demonstrations and protest meetings be made barrier-free and accessible for people with disabilities. Policies of human rights not only fail to include some individuals as they create privileges for others: they deliberately generate exclusion and rightlessness as their constitutive other. For Puar, debilitation is not a by-product of the operation of biopolitics but an intended result, a supplement that often reinforces and overlaps with disability. Rights discourse produces human beings in order to give them rights; but by doing so they discriminate which bodies are vested with futurity and which aren’t. The paradigmatic example for Jasbir Puar is the LGBT rights movement, which produces “the sexual other as white and the racial other as straight.” As she argues by surveying the legal debate on transgender identity in the context of the 1990 Americans with Disabilities Act, hailing some disabilities as a matter of pride and recognition further marginalizes other disabilities. And even trans or disabled identities can lead the way to forms of normative nationalism—what the author, having coined the word “homonationalism” ten years before in her first book, proposes as the new concepts of “trans(homo)nationalism” and “crip nationalism”.

Another tactics is to supplement the blitzkrieg of her opening statements with a succession of skirmishes that makes her conquer ground over sceptic readers. She uses common sense and established facts to give some grounding to her radical affirmations. Nobody can deny that racism, colonialism, economic exploitation, and environmental pollution have debilitating effects on a vast number of people. Debilitation is indeed an effect of Israeli policies that restrict mobility and impose checkpoints that impair the circulation of able-bodied and disabled Palestinians alike. Reconstruction is big business in the West Bank and Gaza for donor agencies and NGOs that are kept in lucrative operations by the need to regularly rebuild what the Israeli army repeatedly destroys. Police officers throughout the world use nonlethal weapons such as plastic bullets and gas grenades that may cause injuries to the individuals they target, and some police forces, mostly in illiberal regimes, do use firepower against unarmed insurgents and shoot to cripple and to maim. There is a “white bias” in disability studies in the sense that most contributors to the field are indeed white. US wars leave in their trails injured soldiers and civilians who may thus be disabled for life. In Western societies, rights are granted to disabled persons that are denied to other populations, including their caretakers, who often come from disenfranchised populations and may not have access to healthcare themselves (see the French movie The Intouchables.) Disability becomes a rights-creating category by virtue of state recognition, while persons in various states of debilitation but who are not granted disabled status do not benefit from these privileges. Personal debt incurred through medical expenses is known as the number one reason for filing for bankruptcy in the United States. Israel makes efforts to market itself as a gay-friendly destination, thereby leaving itself open to accusations of pinkwashing.

A grand finale

These swarming arguments and saturation of the rhetorical space have one objective: to create “facts on the ground” through a reality-distorting field that annihilates the mental resistance of the reader. By acknowledging some facts and statements, the reader is led to subscribe to the radical propositions that form the armature of the demonstration. Much like the book opened with a barrage of fire, it ends with a grand finale, a climatic articulation of debilitation as a biopolitical end point unto itself. The explanations for the book’s title and some of the provocative affirmations stated in the preface are only given in the last chapter, where the right to maim is identified with Israel’s policy in the occupied territories. As a substitute to the word “genocide”, Jasbir Puar uses the concept of “spacio-cide” in the context of describing Gaza, one of the most densely populated place on earth, and also a region with the highest rate of people with disabilities. She identifies checkpoints as “chokepoints”: “because of this asphyxiatory control, Israel can create a crisis at will, having already set in place the bare minimum requisite for life that can be withheld at any moment.” Plastic bullets are the weapon of choice with the intended effect of hurting and injuring people, while the constraints on circulation create an entire population with mobility disabilities. But Jasbir Puar’s indictment of the politics of debilitation doesn’t stop at Israel’s (contested) borders. In her interpretation, Gaza becomes the standard by which all situations of political conflict should be evaluated. The sovereign right to maim is also applied by the United States in its handling of its racial situation and, one could add, the way the French government dealt with the yellow jackets demonstrations. Even the hidden structure of subjectivity is marked by the triangle of debility, capacity, and disability. Gaza is everywhere.

During the heydays of Marxism, French philosophers used to say that “philosophy is, in the last instance, class struggle in the field of theory.” Jasbir Puar might correct that theory is, nowadays, intersectional struggle in the field of political analysis. Theory is, for her, the continuation of political warfare by other means. This weaponization of social science serves practical goals: The Right to Maim is a political intervention in the context of campus politics where various groups call for the boycott of Israel, and Jasbir Puar fully aligns herself with this Boycott, Divestment, and Sanctions (BDS) campaign. But she doesn’t stop there: she brings warfare and military tactics to theory itself, and presents her arguments in the way military leaders execute a battle plan. Her three-pronged strategy—shock and awe, dazzle and confuse, swarm and saturate—will leave the reader in a state of shock and confusion, forced to take a stand between passive adhesion or outward rejection. Commenting on her political agenda is beyond the scope of this review. But I don’t subscribe to this agonistic interpretation of scholarship. Social science, and the humanities in general, has at its core mission the identification of the commonalities of humankind. It is only on this common ground that differences can flourish. Beyond the emphasis on difference and conflict, social science should strive to find a higher order of unity and reconciliation. This dialectics is completely absent from the scope of The Right to Maim.

Less Than Human

A review of Infrahumanisms. Science, Culture, and the Making of Modern Non/personhood, Megan H. Glick, Duke University Press, 2018.

InfraInfrahumanisms directs a multidisciplinary gaze on what it means to be human or less-than-human in twentieth century America. The author, who teaches American Studies at Wesleyan University, combines the approaches of historiography, animal studies, science studies, gender studies, ethnic studies, and other strands of cultural studies, to build new analytical tools and to apply them to a range of issues that have marked the United States’ recent history: children and primates caught in a process of bioexpansionism from the 1900s to the 1930s; extraterrestriality or the pursuit of posthuman life in outer space from the 1940s to the 1970s; and the interiority of cross-species contagion and hybridity from the 1980s to the 2010s. Judged by historiography’s standards, the book lacks the recourse to previously unexploited archives and new textual documents that most historians consider as essential for original contributions to their field. The empirical base of Infrahumanisms is composed of published books and articles, secondary analyses drawn from various disciplines, and theories offered by various authors. There are no interviews or testimonies drawn from oral history or direct observations from ethnographic fieldwork, no unearthing of new documents or unexploited archives, and no attempt to quantify or to measure statistical correlations. This piece of scholarship is firmly grounded in the qualitative methodologies and humanistic viewpoints that define American Studies on US campuses. The only novel approach proposed by the book is to use a range of photographies and visual sources as primary material and to complement textual commentary with the tools of visual analysis borrowed from media studies. But what Infrahumanisms lacks in methodological originality is more than compensated by its theoretical deftness. Megan Glick innovates in the research questions that she applies to her sample of empirical data and in the theory that she builds out of her constant back-and-forth between facts and abstraction. She does conceptual work as other social scientists do fieldwork, and offers experience-near concepts or mid-range theorizing as a way to contribute to the expansion of her research field. In particular, her use of animal studies is very novel: just like minority studies gave birth to white studies within the framework of ethnic studies, or feminism led to masculinism in the field of gender analysis, Megan Glick complements animal studies with the cultural analysis of humans as a species. Exit the old humanities that once defined American studies or literary criticism; welcome to the post-humanities of human studies that patrol the liminalities and borderings of the human species.

The whitening of the chimpanzee

What is the infrahuman contained in Infrahumanisms? A straightforward answer is to start with the book cover representing the simian body of a young baboon (sculpted by artist Kendra Haste) seen from behind: monkeys, particularly great apes, are infrahuman. This, at least, was how the word was first introduced in the English language: the first use of the term “infrahuman” was made in 1916 by Robert Mearns Yerkes, a psychobiologist now remembered as the founding father of primatology. By modern criteria, Yerkes was a eugenicist and a racist: he saw his work as assisting in the process of natural selection by promoting the success and propagation of “superior” models of the human race. Through the Pasteur Institute in Paris, he was able to import primates from French Guinea and to apply to them various tests of mental and physical capacities that were first conceived for the measurement of the intelligence and characteristics of various “races”. Thus, writes Megan Glick, “while the terms of dehumanization and radicalization are often understood to be familiar bedfellows, (…) the process of humanization is equally as important in the construction of racial difference and inequality.” In particular, she shows that the chimpanzee appeared in these early primatology studies and in popular discourse as akin to the white race, while the gorilla was identified with black Africans. The “whitening of the chimpanzee” and “blackening of the gorilla” manifested itself in the early photographs of primates in human company or in the first episodes of the Tarzan series, where Cheeta is part of Tarzan and Jane’s composite family in the jungle, while gorillas are imagined as “the deadly enemies of Tarzan’s tribe.” The jungle trope is also applied to early twentieth-century children who were involved in animalistic rituals and identities: from “jungle gym” equipments in public playgrounds to the totems and wild outdoor activities of the Boy Scouts movement, the development of a childhood culture in close contact with the natural world marked a new moment in the lives of US children at the beginning of the century. The child was imagined as a distinct species, a proto-evolutionary figure providing the missing link between animals and humans. Neither primates nor children leave written archives or provide a “voice” available for historiographical record: like the subaltern, they literally “cannot speak.” Here again, the historian turns to pictures and illustrations to envision children as infrahuman, as in the photographs of infant and adult skeletons in pediatrics books that portrayed the child as “different from the adult in every fiber.”

The mid-twentieth century was a time of great anxieties about the human condition. Images and photographs tell the story better than words. The era of extraterrestriality was bordered by the mushroom clouds of Hiroshima and Nagasaki on one end and the picture of the blue planet as seen from outer space on the other. Extraterrestrial creatures were a matter of sighting and picturing more than storytelling or inventing. The pictures of aliens crashing at Roswell, New Mexico, with their “short gray” bodies and oversized heads, took to the public imagination and were described in similar terms by “alien abductees” who came up with similar visions although they had no way to coordinate their testimonies between themselves. While aliens on the big screen or in popular media tended to be large, monstrous, and even superhuman, aliens “sighted” by the American public were small, quasi-human, and frail. Here the author has a theory that stands at variance with standard interpretations of alien invasions as inspired by the red scare of communism. It wasn’t the Cold War and the mass panic over the infiltration of communist subjects that inspired the narratives and depictions of alien abductions and Mars attacks, but rather the traumatic after-effects of the Holocaust pictures that were disseminated at the end of the Second World War. As Megan Glick argues, “both tell a story about the nature of midcentury visual culture, both are concerned about the boundaries of human embodiment, and both question the futurity of humanity.” Meanwhile, the increasing precision of human genetics gave way to a post-Holocaust eugenic culture, in which the fight against social ills that undergirded the earlier eugenic movement was traded in for a more exacting battle against biological flaws. Key to these developments was the Nobel Prize winner Joshua Lederberg, a bacteriologist who made seminal contributions to the field of human genetics and who launched the speculative study of exobiology, of life on other planets. Like in the final screenshot of the cult movie 2001: A Space Odyssey, the picture of the earth as viewed from space paralleled the image of the fully developed fetus within a woman’s womb as reproduced on the cover of Life magazine. Lederberg and his colleague envisioned the impending elimination of genetically based disabilities through intra-uterine manipulation of the embryo. Considering the backdrop of sterilization campaigns for disabled persons or anxieties raised by overpopulation in the Third World, this raised concerns that African American populations could be targeted for “defective genetic traits” such as the prevalence of sickle cell disease.

Jumping the species barrier

The 1980s was marked by the AIDS crisis, which at first was associated with stigmatized populations such as gay men, intravenous drug users, and migrants from Haiti. The AIDS epidemic has already been studied from various perspectives, locating the disease within the history of sexuality, race, and medicine. Carol Glick adopts a new angle by taking an animal studies perspective by treating AIDS as a zoonotic or cross-species disease, placing it in a series that also includes SARS, mad cow disease, and avian flu. When the virus was found to have emerged from within chimpanzees in Africa, questions wee soon raised about how, why, and when AIDS had jumped the species barrier. Speculations extended to the “strangeness” of African sexual habits and dietary customs, and the denunciation of the consumption of bush meat operated both a dehumanization of African poachers and a humanization of monkey species. Tracts of tropical forest were cleared from their human presence to preserve the habitat of great apes. Dehumanization also worked at the level of AIDS patients, who were denied proper treatment and health insurance up to this day. An extreme form of dehumanization is animalization, especially the comparison of humans with certain devalorized species such as pigs. A cartoon published in the New Yorker shows the evolution of the human species from ape to mankind, and then its devolution into pigness due to sloth and obesity. In such representations, the obese body is usually represented as disabled and deformed; it is more often than not male, bald, and white. But statistically, obese people are more likely to be black, poor, and female. Public health campaigns put the blame of overweightness on individuals, obfuscating the role of food companies, advertisement campaigns, and policy neglect for our unhealthy diet. In more than one way, pigs are our posthuman future: genetic engineering is capable of creating porcine chimeras capable of developing human cells and organs for xenotransplantation benefitting needy patients. Using animal parts in human bodies results in the hybridization of both species, while the American dietary passion for pork creates the possibility of a species transgression akin to cannibalism that the taboo on pork consumption for Muslims and Jews seems to have anticipated. The main barriers to our porcine and infrahuman future may not be scientific and technological, but cultural and religious.

The concluding chapter is titled The Plurality is Near, a pun on Ray Kurzwell’s book announcing that “the singularity is near” and that humans will soon transcend biology. The plurality of species, which includes parasites and vectors of harmful diseases, raises the issue of speciesism: does mankind have the right to eradicate certain species, such as the mosquito Aedes aegypti targeted by a campaign of total elimination due to its role in the spread of malaria, dengue, and Zika? The elimination of mosquitoes in the name of human health is hard to contest; and yet we do not know what the long-term consequences of this tinkering of ecosystems will be. Scientists record an alarming rate of species decline and extinction, with spectacular drops in the population of bugs, butterflies, and insects. A future without insects would have catastrophic implications for birds, plants, soils, and humans; so much so that in order to slow down and someday reverse the loss of insects, we must change the way we manage the earth’s ecosystem and enhance their chances of survival. The plurality of species also forms the background of the new discipline of microbiomics, the study of the genetic material of all the microbes—bacteria, fungi, yeasts and viruses—that live on and inside the human body. Yoghurt commercials have popularized the notion of the intestinal flora as essential to the well-being of the organism. Digestive health sees the intestinal tract as not only a site of transit and evacuation, but also of flourishing and symbiosis. New models representing the body go beyond the mechanics of fluids and the circuitry of organs: they mobilize the ecology of populations and the co-evolution of ecosystems. Like the poet Walt Whitman, the human body can claim to contain multitudes: where the body ends and the environment begins is no longer clear. What happens at the infrahuman level unsettles the definition of the human: “the proposed manipulation of populations that exist in parasitic and symbiotic relation to the human species, often inside the body itself, suggests a deep unsettling of the animal/human binary and a restaging of human difference.” Seeing human beings are primate-microbe hybrids sets a new frontier for research and raises questions about the future of mankind. As microbiologist and NASA adviser Joshua Lederberg once declared, “We live in evolutionary competition with microbes, bacteria and viruses – there is no certainty that we will be the winners.”

Unmasking the ideology of infrahumanism

The infrahuman, then, takes up different figures throughout the twentieth century: the ape, the child, the creature from outer space, the embryo, the racial other, the posthuman hybrid, the microbiome within the human body. The infrahuman complicates notions of the other, of what counts as alien, outsider, non-human, friend or foe. It appears through twentieth-century scientific and cultural discourses that include pediatrics, primatology, eugenics, exobiology, microbiotics, and obesity research. The infrahuman confronts us with what the author calls “hyperalterity” or the radically other. By extension, infrahumanism, taken in the plural, designates an ideology, an episteme, or an -ism that inspires processes of infrahumanization. It rests on the belief that one’s ingroup is more human than an outgroup, which is less human. It results from a dual movement of dehumanization, which denies the humanity of certain individuals or collectives, and of rehumanization, which bestows non-human animals with certain human characteristics. It is closely related to the notions of speciation, the process by which differences are constituted into a distinct species, and of speciesism, the idea that being human is a good enough reason for human animals to have greater moral rights than non-human animals. What gets to count as human or as animal also affects our conceptions of human difference such as race, sexuality, disability, and disease status. Carol Glick argues that unmasking the ideology of infrahumanism is crucial to better understanding the persistence of human social inequality, “laying bare the rhetorics of being ‘beyond’ or ‘post’ race, gender, and other forms of social difference thought now to be on the precipice of mere social construction.” She notes the curious coincidence between the deconstruction of humanist thought and the emergence of an animal rights discourse at the precise moment when feminist and minority movements started to demand the recognition of their full rights as human beings, a category from which they had long been excluded. This is why “feminism should not end at the species divide”: feminist studies have a distinctive contribution to offer on the human/nonhuman distinction and how it affects the rights and claims of both groups.

Thinking about humanism, and its infrahumanist variants, as the ideology proper to the human species also transforms our vision of “the humanities”. Rather than simply reproducing established forms and methods of disciplinary knowledge, posthumanists should confront how changes in society and culture require that scholars rethink what they do—theoretically, methodologically, and ethically. Infrahumanisms bridges the scientific and cultural spheres by attending to the cultural imaginaries of scientists as well as to the changes brought by science in popular culture. It provides a welcome critique of the foundations of the field of animal studies, itself less than a couple of decades old. In her introduction, Carl Glick scratches in passing some of the great founders of the discipline—Cary Wolfe and his infatuation with systems theory, Jacques Derrida and his cat, Donna Haraway and her doggie—while giving kudos to more recent entries that mix the radical  critique of feminist studies, critical race studies, queer studies, and disability studies—with authors such as Mel Chen, Neel Ahuja, Lauren Berlant, and Claire Jean Kim. She doesn’t support radicalism for radicalism’s sake: she has strong reservations with the biological essentialism of some animal rights activists who conflate racism with speciesism, and she reminds us that “we cannot ethically argue for the direct comparison of people and animals.” Her book is therefore a welcome contribution “to the vast and difficult conversation about the place of nonhuman animals in the humanist academy.” As mentioned, Carol Glick also extends what counts as historical archive and how to present it to the reader. Images, pictures, photographs, screenshots, and movies will remain as the twentieth century’s main archives. They require a mode of analysis and exposure that is distinct from textual interpretation, and for which tools and methodologies are only beginning to be designed. Illustrations used by the author form part of her demonstration. For many readers, the striking book cover of Infrahumanisms will remain an apt summary of her main argument.

Queer Theory in Dark Times

A review of Terrorist Assemblages: Homonationalism in Queer Times, Jasbir K. Puar, Duke University Press, Tenth Anniversary edition, 2017.

terrorist assemblageTerrorist Assemblages offers, as the foreword to the 2017 edition puts it, “queer theory in dark times.” The times that form the backdrop of queer theory are very dark indeed. The book was written at a time when, in the wake of revelations about torture of Iraqi prisoners at Abu Ghraib, New York Times editorialist Thomas Friedman could write: “I have never known a time in my life when America and its president were more hated around the world than today” (yes, the year was 2004, and the president was George W. Bush). It was, and it still is, a time of death and mourning, of war and aggression, of terrorist attacks and nationalist hype. This historical conjuncture has been described as “the age of the world target”: what is being targeted are not simply terrorist networks and rogue states, but the world as an object to be destroyed. In this context, Terrorist Assemblages exposes the United States not only as a targeting war machine, but also as a targeted nation, as the target of terrorist assaults and radical critique. There is a political urgency that is to be felt at every page, no less in the 2017 postscript titled “Homonationalism in Trump times”. This book is not the work of an ivory tower academic or a closet intellectual, pondering over the course of world’s events from the safety of an academic perch. It is a text steeped in violence and accusations, a disruptive and unruly intervention that leaves no field of inquiry unscathed. The starting point of the acceleration of time that Terrorist Assemblages manifests is September 11, 2001, which forms the degree zero of writing and thinking about our present situation. 9/11 is conceptualized as a “snapshot” and a “flashpoint”, an explosion and a lightning, allowing different temporalities to emerge and, with them, a range of issues hitherto suppressed. These weird and unhinged times offer a space for the untimely, the unexpected, the forever deferred. The politics of time that the epoch brings to the fore, with its tactics, strategies, and logistics, is a politics of the open end, of allowing unknowable political futures to come our way, of taking risks rather than guarding against them.

Advancing a nationalist agenda in the name of sexual freedom

The times are queer, and so is theory. Queer times is a historical juncture when new normativities are emerging, new subjectivities are being hailed, and new bodies are being assembled. More specifically, Jasbir Puar argues that the production of terrorist bodies is inseparable from the affirmation of queer subjects in a context where homosexuality and LGBT rights are being tied to a nationalist agenda. This book was not the first to use the expression “homonationalism”: the topic was a matter of discussion in Europe long before American academics began to notice, and the assassination of Pim Fortuyn in 2002 was a watershed in this respect. The striking feature that distinguishes contemporary European nationals parties from their older counterparts is the invocation of gender equality and LGBT rights with an otherwise xenophobic rhetoric. Indeed, despite their masculinist political style and occasional homophobic slurs, those parties have increasingly advanced their anti-Islam agendas in the name of sexual freedom and gender rights. Sexual diversity has thus been instrumentalized in the service of sexual nationalism, whereby migrants’ and Muslims’ integration and loyalty to their hosting western nations are tested by means of their commitment to the sexual values of these nations. This sexualization of citizenship posits that Muslims and other non-western migrants are intrinsically homophobic and that Islam is, in essence, “anti-gay”. Some western progressives even use this argument to call for a slower pace of social reforms in Europe, advancing that our open and increasingly multicultural societies are “not yet ready” for the recognition of sexual minorities’ rights. Puar brings these European debates to the post-9/11 American context. Centering her attention on the intersection between gay politics and US exceptionalism, she emphasizes the exclusionary state as the master signifier of the contemporary focus on male radicalized Others as misogynistic and xenophobic enemies of western civilization. More specifically, Puar discusses the encounter between US nationalism and queer sexual politics in terms of “collisions”, which she sees as productive of a “homonationalist” formation. Puar’s “homonationalism” thus both describes the mobilization of gay rights against Muslims and racialized Others within the American nationalist framework, but also refers to the integration of “homonormativity”—that is, domesticated homosexual politics—within the US agenda of the war on terror. As Puar puts it, homonationalism is a “discursive tactic that disaggregates US national gays and queers from racial and sexual others, foregrounding a collusion between homosexuality and American nationalism that is generated both by national rhetorics of patriotic inclusion and by gay and queer subjects themselves.”

Violence of theory, violence of the state, violence of the self

Terrorist Assemblages is a violent book that both condones and denounces violence. As the author writes, “it is easy, albeit painful, to point to the conservative elements of any political formation; it is less easy, and perhaps much more painful, to point to ourselves as accomplices of certain normativizing violences.” The first form of violence that the author exposes is the violence of theory. It is the chasm “between those who theorize and those who are theorized about.” It is telling that, in the context of the revelations of torture at Abu Ghraib and the outrage that pictures of maimed bodies elicited, no one took the pain to inquire who these tortured Iraqi individuals were, what experience they felt, and how their lives and those of their relatives were affected. Or that trauma analysis portrays war veterans and victims of terrorist attacks as worthy of compassion and care, whereas people who have lost loved ones as a consequence of US foreign policy elsewhere are not depicted as sufferers of trauma or injustice. Why is there a double standard when dead bodies are counted in the aftermath of military campaigns, with the Iraq war claiming 773 US fatalities but more than 10,000 Iraqis killed? Or, to return to the Abu Ghraib case, why are these photos any more revolting than pictures of body parts blown apart by shards of missiles and explosives as a consequence of targeted attacks launched by unmanned drones? For Jasbir Puar, theory is intrinsically violent. She turns this violence against queer theorists and progressives of a radical bent, and ultimately against herself. The author draws attention to the manifold ways in which the US state of exceptionalism and exception has co-opted important sections of the gay movement. Rather than a mere instrumentalization, or tactical exploitation of the theme of gay rights by nationalism, Puar thus highlights the active involvement—and responsibilities—of the queer movements themselves that have supported (wittingly or unwittingly) this new racist configuration. Queer theory itself, with its insistence on LGBT exceptionalism and impossible standards of radicalism, partakes in this contemporary violence. A typical discursive move of Puar is to bring forth a progressive or radical argument proposed by a fellow theorist, then highlight its blind spots, its undeclared essentialism and hidden normativity. On that count, few arguments survive her critique, and even her own argumentation is not immune from self-criticism. As a result, the author paints herself into an inhospitable corner: normativity, homo or hetero, is not something that we can escape.

The second form of violence that Terrorist Assemblages addresses is the violence of the state. For Puar, this violence has reached a new intensity with the war on terror and the isolation of the homeland that followed September 11, 2011. The state has morphed into a war machine which, like the desiring machines of Deleuze and Guattari, is animated with a will of its own and produces in its wake a multiplicity of infectious affects and afflictions: patriotism, racism, security, death, torture, terror, terrorism, detention, deportation, surveillance, and control. The bodies of foreign terrorists are constituted as bodies without organs: they are eviscerated, stripped bare of any subjectivity and left to survive as living dead in zones of non-law such as Guantanamo and black sites of detention. In the neo-Orientalist vision of geopolitics in the Middle East, terrorists are perceived as queer: “failed and perverse, these emasculated bodies always have femininity as their reference point of malfunction, and are metonymically tied to all sorts of pathologies of the mind and body—homosexuality, incest, pedophilia, madness, and disease.” The biopolitical state turns foreign subjects into figures of death at the same time as it associates gay couples and queer individuals with positive ideas of life and productivity: hence gay marriage, the exaltation of difference, and the market segmentation of LGBT communities into profitable ventures. For Puar, “this benevolence toward sexual others is contingent upon ever-narrowing parameters of white racial privilege, consumption capabilities, gender and kinship normatively, and bodily integrity.” The affirmation of sexual difference is concomitant with the ascendency of whiteness: in popular representation, the homosexual other is always white, while the racial other is straight. By extension, the invocation of the terrorist as queer, nonnational, perversely racialized other has become part of the normative script of the US war on terror. Of course, there is no way to tell where this process of scapegoating and excluding unworthy subjects from the national body will stop.There is always the risk that you may be next in line and that, after having targeted terrorists, illegal aliens, immigrants, law trespassers and deviants, the state may come after you.

Thirdly, Puar underscores the violence of identity. Assigning a person to a fixed and defined identity is a violent act of normativity. It elides and forecloses other affiliations and belongings, and creates a sense of loss and mourning for the other futures and possibilities that never will be. Our belonging to a certain community, group or category is a purely arbitrary fact, a given without meaning. To be born in a certain country, within a certain ethnic group or with a predetermined sexual orientation is not the result of a conscious decision or a choice: to have one’s identity defined by these contingent parameters is a form of violence that nothing compels us to take as granted. Norms exclude certain people and deny their rights as much as they include other people and grant them privileges. Queer theory has been designed to bring such norms at risk and to return against the bearer the violence that they apply to nonconformist bodies. Queer means trouble: it breaks down the established and stable categories of identity, it refuses to accept that genres and genders can be clearly defined, and instead focuses on the expansive production of sexualized selves through performance and affects. But the proliferation of shifting identities and the compulsive invocation of difference is no less violent and normative than the compulsory orders of residence that puts us under house arrest.  Although queer theory emphasizes difference, mismatch, and nonnormativity, queer as a category creates its own normative power, its ability to mold subjects and discipline their conduct. As Puar shows, all queer bodies have not been included in the category of queer. Despite its claims of intersectionality, queer politics have prioritized only one factor, sexuality, as the primary sense through which they structure their action. In particular, queer theory is underpinned by a powerful conviction that religious and racial communities are more homophobic than white mainstream queer communities are racist. By implication, for queers of colors a critique of homophobia within their home community is deemed more pressing and should take precedence over a criticism of racism within mainstream queer communities.

The West as an arbiter of civilizational standards

Jasbir Puar reverses that order of priority. She revels in exposing the bigotry of queer organizations such as InterPride or OutRage! who send politically correct messages with an exclusionary subtext. Complicity with white ascendency and heteronormativity can take many forms. As with the construction of model minorities by elites from certain ethnic groups, wealthy white gay males create an ideal of the homosexual family (gay marriage, adopted children, bourgeois lifestyle) that is no less normative and exclusionary than its heterosexual version. Nationalism is on the rise in every segment of society, and progressive sexuality is heralded as a hallmark of western modernity as opposed to the backwardness and obscurantism of the Middle East where the war on terror is waged. Islam and homosexuality are constituted as mutually exclusive; and queer people of color, or gay Muslims, becomes the significant others to be rescued from their culture or communities. The West regards itself as the arbiter of civilizational standards. Just as exotic women are waiting to be liberated by white males, gay Arabs need to be saved by white gay men, and they are granted asylum status accordingly. In the progressive narrative, gays and lesbians are the last recipients of civil rights that have already been bestowed on racial minorities. This rosy vision not only falsely assumes that discrimination and prejudices against ethnic minorities are a thing of the past; it also relieves mainstream gays and lesbians from any accountability to an antiracist agenda. The two issues are treated as substitutes, not complementary: Puar reminds us that the legalization of interracial marriage in 1967 coincided with increased criminalization of homosexuality in US laws. Likewise, the growing visibility and inclusion of gays and lesbians into the national fold comes at the expense of racialized subjects and foreign others who are targeted by discriminatory laws justified by the war on terror. Against affirmations of sexual exceptionalism that depicts the United States as a haven for the poor, huddled masses yearning to breathe sexual freedom, Puar shows that America lags far behind in the recognition of sexual minorities’ rights. And she notes that visa restrictions and deportation policies have created a new diaspora of former US residents cast away from the homeland or seeking refuge in neighboring Canada.

The publication of Terrorist Assemblages was part of the 9/11 industry machine: a kind of scholarly porn, where each critic would try to outsmart the competition by providing even more radical perspectives on what was construed as a landmark event ushering a new geopolitical era. By focusing on the production of the figure of the Muslim terrorist as queer, Puar offers a radical critique of liberal agendas that take the emancipatory nature of feminism and queer movements as granted. She shows that many segments in society continue to produce the sexual other as white and the racial other as straight. Bodies that don’t fit into this equation are construed as either racialized queer terrorists, whose political grievances are explained away by pathologizing their motives, or as exotic fairies who need to be saved from their oppressive environment. The famous critic Gayatri Chakrabarty Spivak coined the phrase “white men are saving brown women from brown men” to underscore that the voice of the subaltern woman is always silenced by patriarchy and imperialism. For Jasbir Puar, queer and lesbian racialized others are being saved by gay-friendly white men: the progressive stance of liberal positioning becomes a normative agenda, whereby how well countries treat their homosexuals becomes the litmus test of acceptable governance. Israel uses pinkwashing to market itself as a gay-friendly destination and to silence the critiques of its human rights record, and the European Union spends political energy on LGBT rights to cover its absence of strategic vision on governance issues. Meanwhile, at the national level, attitudes toward gays and lesbians become a barometer of whether immigrant minorities are acceptable to the national polity. The fixation on the certainty of greater homophobia in Muslim communities or immigrant cultures gives credence to a nationalist camp that extends its constituency to white homosexuals while comforting its hold on racist and anti-immigrant voters.  For Puar, the discourse on rights and liberalization must always be complemented by the two questions: rights for whom, and at whose expense? LGBT liberation is a legitimate goal, but it also works to distract attention from intense forms of regulation that seeks to control and exclude the activities of bodies not deemed suitable for the national body politic. The very idea of sexual identity and of gender is part of the way imperialism works and operates as a form of silent colonization of our lifeworlds.

Jasbir Puar claims that her analyses “draw upon more than five years of research conducted in New York, New Jersey, and Connecticut involving community-based organizations, activist events, meetings, protests, teach-ins, and panels, as well as pamphlets, educational materials, propaganda, and press releases from both alternative and mainstream media.” Her status as a participant observer is attested by her involvement in activist groups representing gay and lesbian South Asians, or by her familiarity with gurdwara communities where Sikh Americans had to distanciate themselves from suspicions of terrorism by claiming that “the turban is not a hat.” Many observations made by the author, as well as her analyses of feminist and queer responses to various events, show her deep involvement in the issues she is addressing. But Terrorist Assemblages is not a work of ethnography. Empirical facts and data are limited to a few casual observations, and works of art or media performances often take centerstage, as in the book’s illustrations. Puar thinks her background in community advocacy and activism gives her enough credentials to take a stand as a scholar and to engage in social critique. She is also theoretically literate: her references to the scholarly literature are cutting-edge, she is not afraid to engage with feminists and queer theorists on their own turf so as to expose some of their limitations and shortcomings. She gives flesh and substance to abstract notions and constructs such as affect theory, analyses of nonvisual perceptions, differences between foucaldian disciplines and deleuzian control, and emphases of embodied modes of existence. Her reading of the Sikh turban as an assemblage that folds together cloth, skin, hair, odors, and tactile sensations, is a model of the genre. But theory does not a philosopher make, and a philosopher she is not. She uses an elaborate style—and some sentences or paragraphs require repeated readings—to state ideas or expose facts that are quite simple and straightforward. She throws concepts like a boxer would throw blows: she doesn’t hit every time, but what matters is to stay in the fight and aim for the prize. The publication of a tenth anniversary edition of Terrorist Assemblages shows that, for some readers at least, Jasbir Puar hit the mark and came out alive and kicking.

From War Orphans to First World Citizens

A review of Adopted Territory: Transnational Korean Adoptees and the Politics of Belonging, Elena J. Kim, Duke University Press, 2010.

Adopted TerritoryA while ago Fleur Pellerin, then a junior Cabinet member of the French government led by president François Hollande, made her first visit to Korea. To the French, she was known as an elite public servant-turned-politician and put in charge of the digital economy and entrepreneurship portfolio, and also as the only minister with an Asian face. In Korea she became known as “one of us” or a “blood relative”, and during her business trip to Seoul she was welcomed as if she was the homecoming queen. She had a chat with then president Park Geun-hye, and featured in many television shows and media articles. Her first name, Fleur (“flower”), led to a crazed “Fleur-mania”, and her Korean name, Kim Jong-suk, was also made public.

Korea’s largest export

Like about 12 000 French citizen and 160 000 persons worldwide, Fleur Pellerin is a Korean adoptee. She left Korea when she was six months old, never met her biological parents again, and knows next to nothing about her birth country. For Koreans, she is the poor immigrant who made it abroad, and on top of that in a country known for its high culture and glamour – the conclusion of Korean TV dramas usually has the heartbroken heroin go to France to “refashion herself”. But she also reminds Koreans of darker times, and of a phenomenon of transnational adoption that many feel awkward about. Not so long ago, the nation’s pride in hosting the 1988 Summer Olympics was bruised by reports in the American press asserting that children constituted Korea’s “largest export”. Reaching out to adopted Koreans abroad, incorporating them in the community of overseas Koreans, and heralding their success was therefore a way for the Korean public to turn a sore spot into a matter of pride and celebration.

As Elena Kim reminds her readers in her ethnography of adopted Korean communities, Korean adoptees came to the West in distinct waves. First came the war orphans and mixed-blood children of US soldiers and Korean women. Then, in the 1960s and 1970s, American and West European families adopted the offsprings of single mothers or poor households who were convinced to relinquish their newborn baby in exchange of a hefty sum. Today, nearly all the children adopted overseas are infants born to unwed mothers in their late teens and early twenties. Meanwhile, the Koreans adopted in the past decades have become adults in their country of adoption, and today form a global community composed of subsets of regional and online groups with distinct histories and concerns. Internet and globalization have brought them together, and many are claiming voice and agency as a particular public with shared experience and common bonds.

The problem of adoption

The propinquity of money and children in transnational adoption and the attendant suspicion of human trafficking have made Korea’s overseas adoption program a target of criticism throughout its history. It has been argued that orphanages (which were largely funded by Western relief organizations), and, later, state-subsidized adoption agencies, functioned as a surrogate welfare system and a conduit for foreign exchange. It has been further advanced that Korea’s international adoption system not only retarded the development of domestic adoption and child welfare policies, but also provided a quick-fix solution that has been complicit in the social disenfranchisement of Korean women. Today South Korea has the lowest birth rate in the world, with fast increasing numbers of abortion and divorce. The “problem” of adoption (ibyang munje) has become a matter of public debate in which adult Korean adoptees and Korean birth mothers of an earlier period increasingly have a say.

What is unique about Korea’s adoption program? First, conventional wisdom in South Korea and in the Western countries to which adoptees are sent blames the persistence of Confucian family values and preoccupations with patrilineal bloodlines for the reluctance among Koreans to adopt “their children”. This is changing fast, with placement agencies now under the obligation to encourage domestic adoption first and famous media figures making a public gesture of adopting their own children. Second, the Korean state has so far failed to promote extended models of family arrangements, provide adequate financial support for single mothers, or tackle the problem of inadequate sex education. Adult adoptees such as Fleur Pellerin and lesser-known figures could help challenge dominant representations and policy outcomes, especially when they come from Europe, where the social security system is well developed and recomposed families are almost becoming the norm. Third, the long shadow of stigma associated with unwed motherhood in Korea is slowly eroding as Korean society enters a phase of globalized modernity.

A social experiment

But the most distinctive feature of Korea’s adoption program is that it came first, and therefore became the template for subsequent programs. Korean adoptees represented a “social experiment”, the outcomes of which were subject to intense scrutiny and debate since the practice began in the mid-1950s. Korean adoptions, determined to be largely successful by social workers and academic experts, expanded dramatically in the 1970s and paved the way for subsequent waves of adoptions of children from the developing world into white Western homes. By the 1970s, largely due to the success of the Korean model, transnational adoption became an institutionalized social welfare practice into many nations and a naturalized “choice” for individuals in the United States or in Europe. As Elena Kim notes, the adoption model is built upon the archetypal figure of the orphan who is construed as the ultimate figure of global humanitarianism, permitting Americans in particular to “save” children who are themselves often victims of American foreign policy decisions.

Not all adoptees were raised in wealthy, happy families with caring surrogate parents. Some experienced hardships and rejection by siblings and relatives; a significant number faced racism and bigotry at school or in their community; and most of them had to cope with the awkward feeling of being “yellow outside, white inside”. Adoption is based on separation, and the traumatic scene of abandonment sometimes lingers. According to adoption specialists, loss and grief are inescapable aspects of the adoption experience for all members involved in an adoption. Adoptees and their relatives construct “what if” scenarios and “phantom lives” of what they would have become if they had stayed in Korea. Some adopted Koreans dream of a more authentic self in their birth country, while foster parents or agency workers sometimes construct cautionary tales about girls being forced into prostitution or reduced to a dehumanized treatment. For the most politically oriented adoptees, crafting a germane public discourse for discussing the politics of adoption is a difficult process. Typically, the adoptee can only feel gratitude and indebtedness for having been given “life” and “opportunity” through inclusion in the bourgeois nuclear family, and more complex feelings of ambivalence, mourning, or resentment are suppressed, condemned as ungrateful, or pathologized.

The quest for roots

Faced with the taboos and emotionally charged issues that adoption raises, some adoptees simply choose to ignore their roots and go on with their lives. Others, increasingly, go on a quest for origins to discover the country of their birth and, for some of them, to try to meet with their biological parents. Since 2012, adopted Koreans can choose for double citizenship, or they can apply for a visa that allows them to live and work in Korea. But language and, sometimes, prejudices, remain a problem and put a barrier between them and the rest of the population. A social event known as The Gathering allows them to get together and share experience. Meeting other adoptees can feel like rediscovering one’s lost tribe: “None of us had real peer groups growing up,” notes one adoptee. “When we found each other, it was an electric thing.” Self-exploration through shared storytelling is central to adoptee social practices and can be seen as a performative negotiation of self and world. The misadjustment or lack of fit with dominant national, ethnic, and cultural models forms the basis for creating a space where, as more than one adoptee has stated, “there’s less explaining to do”.

Adopted Territories is a work of cultural anthropology that comes loaded with theoretical concepts and abstract discussions. For Elena Kim, drawing on social theorists such as Judith Butler and Aihwa Ong, adoption blurs and unsettles the categories of race, nation, and family. Not unlike the forms of gay and lesbian kinship identified by queer theory, adoptees’ experiences with nonnormative family forms lay the ground for alternative forms of personhood and kinship, contributing to the production of a shared global imaginary that has taken on transnational dimensions. “Adoptee kinship” is defined as “a form of solidarity based upon radical contingency rather than biologically rooted certitudes”. From this perspective, kinship is not a preexisting truth that is discovered or found, but rather a set of relationships actively created out of social practice and cultural representation. It is a model of kinship that is not exclusive but additive, transnational, and expansive. “Public intimacy”, another oxymoron, designates the potential sites of identification and association that extend beyond the biological family, thereby producing new kinds of identities and intimate relations.

Social theory

The notion of “counterpublic”, a term coined by Nancy Fraser in her critique of Habermas’ model of the public sphere, “highlights the fact that the adoptee social imaginary exists in diacritical relation to dominant publics – whether in the United States, Europe, South Korea, or an increasingly transnational public sphere.” The adoptee counterpublic is organized around a discursive process of identity construction in which adoptees endeavor to define themselves as a group that is distinct from others yet exists in relation to the wider public. By coining the notion of “contingent essentialism”, the author points to the fact that “adoptee identity is at once essentialized as something natural and also construed as something cultural and socially constructed.” Contingent essentialism is distinct from the biologism or genetic essentialism that characterizes much of the public discourse about adoptees and their “real” origins, identities, or families. Elena Kim defines “adopted territories” as “networks of adoptees and their activities, situated in a range of virtual and actual locations, that comprise the transnational Korean adoptee counterpublic.”

Borrowed from Judith Butler, the notion of “constitutive outside” points to the legal fiction of the orphan that leaves behind an excess of relationship, which “enchains” the child givers and recipients and “haunts” adoptee subjectivities. “Adoption not only makes children into orphans, but, over time, also produces missing persons,” writes Elena Kim, who illustrates her writing with artworks from internationally adopted artists. The book cover, a community artwork conceived by artist and activist Leanne Leith, features numbered tags bearing travel certificates delivered by the Republic of Korea, each tag representing one South Korean gone missing through international adoption. Much as the abstract conceptualizations, the live testimonies of adoptees and art pictures displayed in the book illustrate the potent message of longing and belonging that addresses a constitutive dimension of our shared humanity. Korean adoptees or not, “we all negotiate contingencies of personhood out of insufficient and mutable categories of the biological and the social.”